Black Arts Movement

The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. The movement expanded from the accomplishments of artists of the Harlem Renaissance. Famously referred to by Larry Neal as the "aesthetic and spiritual sister of Black Power", BAM applied these same political ideas to art and literature. and artists found new inspiration in their African heritage as a way to present the black experience in America. Artists such as Aaron Douglas, Hale Woodruff, and Meta Vaux Warrick Fuller pioneered the movement with a distinctly modernist aesthetic. This style influenced the proliferation of African American art during the twentieth century. The poet and playwright Amiri Baraka is widely recognized as the founder of BAM. In 1965, he established the Black Arts Repertory Theatre School (BART/S) in Harlem. Baraka's example inspired many others to create organizations across the United States. While many of these organizations were short-lived, their work has had a lasting influence. Some still exist, including the National Black Theatre, founded by Barbara Ann Teer in Harlem, New York.¶

The text above is adapted from the Wikipedia article “Black Arts Movement”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Black Arts Movement is African American–led art movement, active between the 1960s and 1970s, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 6 external registers, which can be verified through the citation.¹¶