The tradition
En plein air (pronounced [ɑ̃ plɛ.n‿ɛʁ]; French for 'outdoors'), or plein-air painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise titled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon School of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were variants that were particularly relevant to the mid 19th-century Hudson River School and to Impressionism.¶
The text above is adapted from the Wikipedia article “En plein air”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
en plein air is act of painting outdoors, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 20 external registers, which can be verified through the citation.1¶
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: en plein air (Q829298) | database | Wikidata |
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