Flemish Expressionism

Flemish Expressionism, also referred to as Belgian Expressionism, was one of the dominant art styles in Flanders during the interbellum. Influenced by artists like James Ensor and the early works of Vincent van Gogh, it was a distinct contemporary of German Expressionism. Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork. It was also, in general, more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and folk traditions. Flemish Expressionists like Léon Spilliaert were more influenced by Ensor and Symbolism, or like Rik Wouters were closer to the vibrant colours used by the Fauvists. The main proponents were Gustave De Smet, Constant Permeke and Frits Van den Berghe.¶

The text above is adapted from the Wikipedia article “Flemish Expressionism”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Flemish Expressionism is a tradition recorded in open cultural data, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 1 external register, which can be verified through the citation.¹¶