The tradition
The term galanteries is sometimes used for movements in the Baroque dance suite whose inclusion is variable, unlike the fixed core of allemande, courante, sarabande and gigue. These pieces usually follow the sarabande.
The term galanteries is sometimes used for movements in the Baroque dance suite whose inclusion is variable, unlike the fixed core of allemande, courante, sarabande and gigue. These pieces usually follow the sarabande. In early 18th-century Germany, galanterien referred to any fashionable piece and later came to connote out-of-dateness. The narrower use described above seems to originate with a reading of Johann Sebastian Bach's title page description of his keyboard Partitas, "Clavier Übung, bestehend in Präludien, Allemanden, Couranten, Sarabanden, Giguen, Menuetten, und anderen Galanterien", in which it appears to be paired with minuets, whose place is often taken in Bach's suites by gavottes, bourrées, passepieds or other movements. Examples of common galanteries include:¶
Air Bourrée Gavotte Minuet Chaconne Passacaglia Passepied¶
The text above is adapted from the Wikipedia article “Galanterie”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
Galanterie is dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 2 external registers, which can be verified through the citation.1¶
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: Galanterie (Q13479757) | database | Wikidata |
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