The tradition
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast 24 time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The "Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a signal that the dancing at a hunt ball or wedding reception is ending.¶
The text above is adapted from the Wikipedia article “Galop”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
galop is dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 10 external registers, which can be verified through the citation.1¶
Images
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Johann Christian Schoeller / Andreas Geiger the Elder · Public domain
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: galop (Q698092) | database | Wikidata |
Do you practise or teach galop?
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