International Movement for an Imaginist Bauhaus
The tradition
The International Movement for an Imaginist Bauhaus was a small European avant-garde artistic tendency that arose out of the breakup of CoBrA, and was initiated by contact between former CoBrA members Asger Jorn and Enrico Baj and Sergio Dangelo of the Nuclear Art Movement. When Asger Jorn recovered from tuberculosis in the autumn of 1952, he tried for a year to restart his career in Denmark. However, in autumn 1953 he moved to Villars-sur-Ollon in Switzerland. It was here he heard of the Hochschule fur Gestaltung in Ulm. However, when he wrote to Max Bill with a proposal for collaboration, it soon became apparent that their views were highly divergent. Jorn wrote in a letter to Enrico Baj: "[A] Swiss architect, Max Bill, has undertaken to restructure the Bauhaus where Klee and Kandinsky taught. He wishes to make an academy without painting, without research into the imagination, fantasy, signs, symbols – all he wants is technical instruction. In the name of experimental artists I intend to create an International Movement For An Imaginist Bauhaus."¶
The text above is adapted from the Wikipedia article “International Movement for an Imaginist Bauhaus”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
International Movement for an Imaginist Bauhaus is artist collective and art movement; precursor to the Situationists, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 1 external register, which can be verified through the citation.1¶
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: International Movement for an Imaginist Bauhaus (Q3866634) | database | Wikidata |
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