neo-expressionism

Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract manner), in a rough and violently emotional way, often using vivid colors. It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American lyrical abstraction painting of the 1960s and 1970s, the Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of abstract expressionism, precedents in Pop Painting, and New Image Painting: a vague late 1970s term applied to painters who employed a strident figurative style with cartoon-like imagery and abrasive handling owing something to neo-expressionism. The New Image Painting term was given currency by a 1978 exhibition entitled New Image Painting held at the Whitney Museum.¶

The text above is adapted from the Wikipedia article “Neo-expressionism”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

neo-expressionism is art movement, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 15 external registers, which can be verified through the citation.¹¶