Photo-Secession

The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F.
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PractitionersUnknownno census we can cite
Claims on record00 sourced evidence rows
Sources cited1deduplicated by publisher

The tradition

The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 20th century, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve their subjective vision. The movement helped to raise standards and awareness of art photography. The group is the American counterpart to the Linked Ring, an invitation-only British group which seceded from the Royal Photographic Society.

The text above is adapted from the Wikipedia article “Photo-Secession”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.

Photo-Secession is group of photographers and art movement, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1

The source record links this tradition to 8 external registers, which can be verified through the citation.1

What it mixes with

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Artists and institutions

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Sources

0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.

SourceTypePublisher
Wikidata: Photo-Secession (Q540807)databaseWikidata

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Cite: “Photo-Secession.” folkroom, https://folkroom.org/art-forms/photo-secession — text CC BY-SA, with attribution.
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