The tradition
The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 20th century, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve their subjective vision. The movement helped to raise standards and awareness of art photography. The group is the American counterpart to the Linked Ring, an invitation-only British group which seceded from the Royal Photographic Society.¶
The text above is adapted from the Wikipedia article “Photo-Secession”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
Photo-Secession is group of photographers and art movement, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 8 external registers, which can be verified through the citation.1¶
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: Photo-Secession (Q540807) | database | Wikidata |
Do you practise or teach Photo-Secession?
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