The tradition
Sandae-nori (Korean: 산대놀이) is a regional variant of Korean mask dance drama. According to some scholars, it may be the root form of many other Korean mask dance dramas today, as it was created and managed by the Sandae Dogam, a government office in charge of providing entertainment both in the capital and in important regional centers. The Sandae Dogam was disbanded in the early 1600s, leaving many performers unemployed and searching for work. It is thought that the stories of these performers became modern day plays such as Songpasandae-nori and Yangju Byeolsandae and influenced many other performance forms in Korea. Although modern Koreans tend to use the Korean term talchum to refer to all types of mask dance drama, talchum is properly only applied to three extant mask dance dramas from Hwanghae Province in North Korea.¶
The text above is adapted from the Wikipedia article “Sandae-nori”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
Sandae noli is Korean mask dance performance genre, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 4 external registers, which can be verified through the citation.1¶
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: Sandae noli (Q7415940) | database | Wikidata |
Do you practise or teach Sandae noli?
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