First attestedunknownfrom the timeline
PractitionersUnknownno census we can cite
Claims on record00 sourced evidence rows
Sources cited1deduplicated by publisher

The tradition

The ula (dance) is an ancient Tongan group dance, already reported by early European navigators like Captain Cook. It is also known as fahaʻi-ula (split dance), which may be degenerated to fahaʻiula.

The ula (dance) is an ancient Tongan group dance, already reported by early European navigators like Captain Cook. It is also known as fahaʻi-ula (split dance), which may be degenerated to fahaʻiula. Traditionally, it is performed after an ʻotuhaka. It is still danced nowadays, although less popular than its descendant the tauʻolunga. It used to be more popular before the arrival of Christianity and was the main dance, danced by women before the tau'olunga replaced it. The dance used to be fast paced, involved movement in the hips, legs, feet and upper body. However with the arrival of Christianity, the royal family completely altered the dance. Now the movements are more stiff and conservative.

Lyrics

Some older chants:

ʻOiau, siʻa langi ula; ʻi ʻiē fai mai siʻa tauʻolunga. ʻio!

Tulopa he ʻiau moe; ʻio ē! vasaleva ʻiau moe; ʻio!

Sina vai tava ʻā ē he ʻiē, ʻā ē.

Sina vai tafe loʻu lonā. ʻio, ʻio, he loʻu lonā.

Tunotuna ʻoe Ale-le-sā, manuia ʻoe saualuma.

Laulau tuʻi Vaea ē, Vaea lau mānaʻia.

These parts are from the beginning of the 20th century:

Tonga, Tonga ē, tulituli faiva, he tuli faiva ē peʻi kau muʻa peʻi kau mai ke tau kalofi kuo tau e langi tulituli faiva, he tuli faiva ē.

Tonga, Tonga ē, tulituli faiva, he tuli faiva ē ko e faiva ni ko hoto kakala ʻo lau taʻanga pea fola haka tulituli faiva, he tuli faiva ē.

Tonga, Tonga ē, tulituli faiva, he tuli faiva ē kuo ke meaʻi siʻoto founga fiemālie tuku ke u ula tulituli faiva, he tuli faiva ē.

And then there are still more variants.

Execution

The name split dance comes from the habit that the performers split up in two (or more) groups, one entering the stage from the left, the other from the right, until the two meet in the centre and merge into one or more rows. The performers are always girls, it is rare that boys will join. The dance movements are in essence very simple and limited. Most of the work, making supple, beautiful postures, is done by the hands and the head. The body remains quite stiff, and except for an occasional step or a kneeling, the legs are not much used either. The dress of the girls is like that of the tauʻolunga, although the red dress is here most popular.

The text above is adapted from the Wikipedia article “Ula (dance)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.

ula is type of dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1

The source record links this tradition to 1 external register, which can be verified through the citation.1

Sources

0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.

SourceTypePublisher
Wikidata: ula (Q11650728)databaseWikidata

Do you practise or teach ula?

Correct what is wrong, add what is missing, and cite your source — every edit is a claim, and every claim needs one. The full history of this page is public and append-only.

Cite: “ula.” folkroom, https://folkroom.org/art-forms/ula — text CC BY-SA, with attribution.
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