Virginia reel

The Virginia reel is a folk dance that dates from the 17th century. Though the reel may have its origins in Scottish country dance and the Highland reel, and perhaps have an even earlier origin from an Irish dance called the Rinnce Fada, it is generally considered to be an English country dance. The dance was most popular in America from 1830 to 1890. The Virginia reel was a popular dance, with slight regional variations. This has given rise to a large number of dances called the Virginia reel, all of which share certain similarities, such as the reel figure, in which the dancers at the head of the line alternately swing each other and the other dancers in the line.¶

History

According to the Encyclopedia Britannica, the Virginia reel stems from the Rinnce Fadha, a pre-Christian Irish dance. It evolved into the English dance called the Sir Roger de Coverley. English colonists brought the dance to Virginia and the Sir Roger de Coverley in time became the Virginia reel.¶

Description

Described below is one version of the Virginia reel. The dancers usually line up in two lines of 5-8 couples, partners facing each other. Traditionally men would line up on one side, and women on the other, but that is not necessary. The lines have a head and a foot, with the head couple being the nearest the band or music source and the foot couple at the other end of the line. This formation is the same for any version of the Virginia reel. The following calls are given by the leader for beginners, or where there are several sets, so that the different sets do the figures at the same time.¶

Head lady and foot gentleman forward and back. The head lady and the foot man advance toward each other four steps and retire four steps backward into place. Forward again with both hands round. The head lady and foot man advance, join both hands straight across and make one complete turn, then return to places. The head man and foot lady do the same. Do-si-do (pronounced dough-see-dough) The head lady and foot man advance, pass each other right shoulder to right shoulder while crossing their arms, and without turning, go around each other back-to-back and retire backwards to places. The head man and foot lady do the same. It is then repeated by left shoulder (also called a see saw). Head couple gallops four times through the aisle and back. The head couple join both hands and chasse (side slip and close) down inside of the lines four steps and return to the head position. Right arm to partner and reel. (Right to centre, left to the side.) The head couple link right arms and turn around once and a half. (This leaves the lady facing the men's line and the man facing the ladies' line).¶

Variations

When the head couple reach the foot of the set, they stop, join both hands to form an arch while the couples behind them join hands and go under the arch and up the center toward the head position. This leaves the original head couple at the foot and the second couple now becomes the head couple. Another variation involves all couples (including the head and foot) participating in the advance and retire, the two-hand turn and the do-si-so with their own partners.¶

Step

The step is a bounce to the step when you sashay down the alley and when you reel.¶

Music

Music consists of lively old time reel music such as Durang's Hornpipe or Old Zip Coon aka. Turkey in the Straw. Students at the University of Virginia dance the reel to 'The Rattlin' Bog' or 'Scotland the Brave' with variations on the chorus at the annual Colonnade and Restoration Balls. When done with four couples, the record usually used for the song was MacGregor #7345, labeled Virginia Reel (Haste to the Wedding).¶

The text above is adapted from the Wikipedia article “Virginia reel (dance)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Virginia reel is English country folk dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 2 external registers, which can be verified through the citation.¹¶