Yamato-e

Yamato-e (大和絵) is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term yamato-e has been used to distinguish work from contemporary Chinese-style paintings kara-e (唐絵), which were inspired by Chinese Song and Yuan-era ink wash paintings. Characteristic features of yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape. Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places meisho-e (名所絵) or the four seasons shiki-e (四季絵). The pictures are often on scrolls that can be hung on a wall (kakemono), handscrolls (emakimono) that are read from right to left, or on a folding screen (byōbu) or panel (shōji). Although they received their name from the Yamato period, no yamato-e paintings from this period survive, nor from several centuries afterwards.¶

The text above is adapted from the Wikipedia article “Yamato-e”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Yamato-e is classical Japanese painting style, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 13 external registers, which can be verified through the citation.¹¶