Zervodexios

Greek dance (choros; Greek: χορός, romanized: chorós) is an old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko. Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition frequently dictates a strict order in the arrangement of the dancers, for example, by age. A study conducted on children engaging in a dance program involving the performance of various types of traditional Greek dances has demonstrated that it is an effective exercise for strengthening young children's static and dynamic balance. Greek dances are performed also in diaspora Greek communities among international folk dance groups.¶

Ancient Greek dances

Antistrophe Carpaea Choreia (dance) Cordax Dionysiakos Hyporchema Korybantes Pyrrhichios (dance) Syrtos In Ancient Greece, dance was a form of ritual, as well as a pastime. Dance could be included in hunting communities, initiation ceremony rituals of age, marriage, and death, entertainment, dance festivals, and religious activity. It was also viewed as a way to educate children about social norms and morals, and was viewed as being essential for physical and emotional development. Dance was used in regard to war as a form of military training, as well as a ritual that served as a mediator between the gods and humans. What modern times may consider a parade, military drill, funeral, children's game, these were seen as forms of dance as long as they were meant to be an exhibition of a rhythmic performance. Strobilos (στρόβιλος) was a whirling dance. The Suda mentions an ancient Greek dance called Dipodia (Διποδία), meaning two-step/two-footer. It also describes Orchesis (Ὄρχησις), which included two types of dance: one involving acrobatics and another performed with a ball. Aristonicus of Carystus, was known for performing the ball-dance. In addition, the Suda mentions Pantomime dancing (Ὄρχησις παντόμιμος), a form of dance associated with Augustus Caesar and the performers Pylades and Bathyllus.¶

Aegean Islands

The Aegean islands have dances which are fast in pace and light and jumpy. Many of these dances, however, are couples dances, and not so much in lines. See Nisiotika for more information.¶

Crete

These dances are light and jumpy, and extremely cardiovascular.¶

Epirus

Epirote dances are the most slow and heavy in all of Greece. Great balance is required in order to perform these dances.¶

Peloponnese

The dances of the Peloponnese are very simple and heavy, with the leader of the line improvising.¶

The text above is adapted from the Wikipedia article “Zervodexios”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Zervodexios is type of dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 1 external register, which can be verified through the citation.¹¶