acclamatio

In Ancient Roman and Byzantine tradition, acclamatio (Koiné ἀκτολογία aktologia) was the public expression of approbation or disapprobation, pleasure or displeasure, etc., by loud acclamations. On many occasions, there appear to have been certain forms of acclamations always used by the Romans; as, for instance, at marriages, Io Hymen, Hymenaee, or Talassio; at triumphs, Io triumphe, Io triumphe; at the conclusion of plays the last actor called out Plaudite to the spectators; orators were usually praised by such expressions as Bene et praeclare, Belle et festive, Non potest melius, etc. Under the Roman Empire, the name of acclamationes was given to the praises and flatteries which the senate bestowed upon the emperor and his family. These acclamationes, which are frequently quoted by the Scriptores Historiae Augustae, were often of considerable length, and seem to have been chanted by the whole body of senators. Acclamations were also means of political expression and participation, especially in cities. While formulaic, they could play a powerful role in late antique governance. There were regular acclamationes shouted by the people, of which one of the most common was Dii te servent. Other instances of acclamationes are given by Franciscus Ferrarius (Francesco Bernardino Ferrari), in his De Veterum Acclamationibus et Plausu, and in Graevius, Thesaurus antiquitatum Romanarum vol. vi.¶

The text above is adapted from the Wikipedia article “Acclamatio”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

acclamatio is expression of enthusiasm in Ancient Roman and Byzantine tradition; common to many political and religious rituals and important to medieval Christian worship, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 4 external registers, which can be verified through the citation.¹¶