Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance (Tari Selamat datang) for guests.
Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance (Tari Selamat datang) for guests.
01 · What it is
Dance
Live movement, rhythm, costume, or staged dramatic performance passed between generations.
02 · Where & name
Indonesia
Written in its own script on record as Tari Baksa Kembang.
03 · How it is doing
□□□□ (Not yet assessed)
Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.
04 · Proof & reuse
2 cited sources
Every claim links to a public record below. Free to quote, teach, and share under CC BY-SA 4.0.
Chapter Takeaways
PerformanceBaksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.
TodayBaksa Kembang dance can now be found at various welcoming events, traditional events and cultural festivals in South Kalimantan.
Common Questions Answered on Record
What is Baksa kembang in plain words?
Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance (Tari Selamat datang) for guests. In local script on record, it is written Tari Baksa Kembang.
Where is Baksa kembang practised or documented?
Sources on this page place Baksa kembang in Indonesia.
What is the current condition of Baksa kembang today?
□□□□ (Not yet assessed): Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.
How do I cite or share this Baksa kembang entry?
Cite as: "Baksa kembang." folkroom, https://folkroom.org/art-forms/baksa-kembang, text CC BY-SA, with attribution.
Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance (Tari Selamat datang) for guests. This dance is usually played by female dancers with the condition that the number of dancers must be odd.
Baksa Kembang was originally a dance that was only performed in the royal environment to welcome guests of honor or royal relatives. However, along with developments, this dance became popular in the community when the Sultanate of Banjar began to open access for the public to watch this dance performance. Thus, the Baksa kembang became popular in the community and became one of the regional cultures in South Kalimantan. 1
Performance
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming. One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
The movements in this dance depict like beautiful teenage girls playing in a flower garden. They picked some flowers which were then arranged into Bougainvillea (Bogam) flowers and they carried them while dancing gracefully and beautifully. In the show, the dancers carry a pair of bogam flowers in their hands, namely a series of roses, jasmine, Magnolia × alba (kantil) and Cananga odorata (ylang flowers). This bogan flower will be presented to guests who come after the dance is finished. 1
Today
Baksa Kembang dance can now be found at various welcoming events, traditional events and cultural festivals in South Kalimantan. Along with the development, many creations are added in each of these dance performances, for example in the creation of clothing or additional movements. This is done as a preservation of this art and so that the performances that are presented look attractive. 1
The text above is adapted from the Wikipedia article “Baksa kembang”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1
Baksa kembang is Indonesian traditional dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2
The source record links this tradition to 1 external register, which can be verified through the citation. 2
