Family unrecorded

Chamcheto oro

Чамчето или Женско чамче е женско македонско оро, кое кореографски потекнува од Велешко. Ова оро во почеток се игра слободно, без ритам, а потоа постепено забрзува во одреден ритам. Движењата на нозете се одмерени.

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Understand in 30 Seconds · In Plain Words

Quick guide to Chamcheto oro

Sourced or Silent · CC BY-SA 4.0

Чамчето или Женско чамче е женско македонско оро, кое кореографски потекнува од Велешко.

01 · What it is
Living Tradition

Documented cultural tradition on record; family classification awaits an editor.

02 · Where & name
Geography awaiting source

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03 · How it is doing
□□□□ (Not yet assessed)

Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.

04 · Proof & reuse
2 cited sources

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Chapter Takeaways
Надворешни врскиЧамчето во изведба на Танец
Common Questions Answered on Record
What is Chamcheto oro in plain words?

Чамчето или Женско чамче е женско македонско оро, кое кореографски потекнува од Велешко.

Where is Chamcheto oro practised or documented?

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What is the current condition of Chamcheto oro today?

□□□□ (Not yet assessed): Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.

How do I cite or share this Chamcheto oro entry?

Cite as: "Chamcheto oro." folkroom, https://folkroom.org/art-forms/chamcheto-oro, text CC BY-SA, with attribution.

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The tradition & historical record

1 min read · 2 sources

Чамчето или Женско чамче е женско македонско оро, кое кореографски потекнува од Велешко. Ова оро во почеток се игра слободно, без ритам, а потоа постепено забрзува во одреден ритам. Движењата на нозете се одмерени. Играчите се во полукруг, се држат за раце, со лицето свртени кон центарот на кругот. Ритамот е 7/16. 1

Надворешни врски

Чамчето во изведба на Танец 1

The text above is adapted from the Wikipedia article “Чамчето оро”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

Chamcheto oro is recorded in open cultural data. The structured record cited below does not describe the practice, and this entry has not yet been reviewed by a person familiar with the tradition. 2

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Sources on Record
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How many people perform it today?
When is it first attested, and by whom?
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