Festival Internacional Cervantino

The tradition & historical record

The Festival Internacional Cervantino (FIC), popularly known as El Cervantino, is a festival which takes place each fall in the city of Guanajuato, located in central Mexico. The festival originates from the mid 20th century, when short plays by Miguel de Cervantes called entremeses (singular entremés) were performed in the city's plazas. In 1972, the festival was expanded with federal support to include more events to add a more international flavor. Since then, FIC has grown to become the most important international artistic and cultural event in Mexico and Latin America, and one of four major events of its type in the world. It is a member of the European Festivals Association and the Asian Association of Theater Festivals In addition to government support, there are also private sponsors such as Telmex, Televisa and Microsoft. ¹

The city of Guanajuato, where the Festival takes place, has historically had a large cultural scene in relation to its size. The richness of the mines in colonial times started a tradition of theaters and other cultural venues to satisfy the desires of the middle and upper classes. The city has a tradition of hosting musical, theatrical and dance events not only in its numerous theaters but also in its many small plazas with benches. In 1953, Enrique Ruelas of the University of Guanajuato began to put on an annual event called the Entremeses de Miguel de Cervantes Saaevedra, short plays written by the author of Don Quixote. These plays are still part of the annual Festival. In 1972, he founded the Coloquio Cervantino from June to September to expand the annual Entremeses event. Ruelas's efforts came to the attention of the federal government through actress Dolores del Río. While in the city of Guanajuato, she came across the Entremeses being performed at the Plaza San Roque and was fascinated. Around the same time, former president Luis Echeverría had attended cultural festivals in Europe and was interested in doing something similar in Mexico. Through Echeverría's cousin, Del Río relayed what she had seen in Guanajuato. The federal government then established the foundation for an international cultural festival, originally proposing it for Acapulco. However, the tradition of the Entremeses was the main reason why Guanajuato was eventually chosen, meshing the two ideas to produce the modern event for the first time in 1972 with performances by artists from fourteen countries including Mexico. ¹

Since 1982, the festival has diminished somewhat in size, mostly because of reduced funding. Another issue that arose was that the festival had become very popular with backpackers, who slept in the streets and caused problems for local residents. However, it remained a very important event, attracting notable acts and up to 140 journalists to cover it. In the 1980s, these included Lazar Berman, Mercedes Sosa, the New York Philharmonic, Joan Baez, Gilbert Bécaud, Mario Lavista, Guillermo Velázquez, Los Leones de la Sierra de Xichú, the National Ballet of Canada, Nikolais Dance Theater, the Bolshoi Ballet, Sankai Juku, Theater Scena STU (Poland) and the Marionette Theatre of Hungary. In 1989, the city became a World Heritage Site which allowed most of the city's colonial and late 19th-century architecture, including its theatres, to be restored. During the 1990s, the festival featured acts such as the Guitar Trio of Amsterdam, Voices of Change, the Vienna Quintet, Guadalupe Pineda, Krzysztof Jakowicz, Krystyna Borucinska, Kronos Quartet, Madredeus, the Open Theater of Belgrade, the Lindsay Kemp Company and the Royal Shakespeare Company. In the 2000s, the custom of having Mexican states and foreign countries and regions as "special guests" began. In 2001, the invited region was Oceania along with Veracruz. ¹

The events happen in the forty nine theatres, plazas and other venues in the city, with satellite events in other plazas in the state and other cities in the country. The Festival in the city of Guanajuato takes advantage of these numerous venues, indoor and outdoor which include the Teatro Juárez, the Teatro Principal, the Teatro Cervantes, the Patio of the Faculty of Industrial Relations, the State Auditorium, the Plaza San Roque, the Esplanade of the Alhondiga, the Teatro de Minas, the Valenciana Church and the Ex-Hacienda of San Gabriel de Barrera. In addition, seven museum spaces are used for exhibitions such as those of photography. The event represents a tourist and economic windfall for the city, which brought in 423 million pesos in 2010, a 57% increase over 2009 with hotel occupancy alone up 39%. The total number of visitors in 2010 is estimated at 179,000, with 463,000 tickets to events sold. In addition to the events in Guanajuato proper, there were another 125,000 attendees to related activities in 37 cities and seventeen states in Mexico. ¹

Being named after Spanish writer Miguel de Cervantes, the Festival has a special emphasis on artistic creations in the Spanish language, with the original tradition of performing this writer's "entremeses" plays upheld by the University Theater of Guanajuato. The international aspect is to create a space for discovery and exchange. The Ballet Folklorico de Mexico under Amalia Hernández has performed every year since the beginning. Acts have been booked from all parts of the world of a wide variety from classical music, Mexican folk dance, Chinese acrobats and more. The event attracts artists from all over the world each year in order to present typical aspects of culture from each country. Acts include those from genres such as opera, music, dance, theatre, street spectaculars, visual arts, film and literature along with various academic events. The Festival has an agreement with the MUTEK Festival of Montreal with the aim of presenting newer acts to the audiences in Mexico especially in the field of electronic music. ¹

In 2010, the Presea FIC was instituted to recognize the work of Mexican and foreign artists for their contributions to culture. The prize is symbolized by a statue designed by Vicente Rojo, which is awarded during the opening ceremonies. The first was awarded to Luis Herrera de la Fuente. To promote a link between culture and technology, the Festival and Microsoft México sponsor a Technology Pavilion at the Mesón de San Antonio. It is planned to contain an Internet café with large lounge chairs and wireless services for those with mobile devices. Microsoft sponsors a set of academic lectures about what's new in technology and art, games and everyday life. Much of the festival is set up to attract young people from children to university age. The Cervantino Program for Youth sponsors programs for this age group as well as other activities. It has an annual Artistic Creativity Contest for Youth put on in collaboration with the Edinburgh International Festival and The Anglo Mexican Foundation. ¹

The text above is adapted from the Wikipedia article “Festival Internacional Cervantino”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

Festival Internacional Cervantino is annual festival in the city of Guanajuato, Mexico in honor of the works by Miguel de Cervantes, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 4 external registers, which can be verified through the citation. ²