The tradition & historical record
1 min read · 11 cited sourcesSung at the Georgian supra feast table, in mountain work songs, and in stone Orthodox monasteries, Georgian polyphony weaves three independent vocal lines without instrumental accompaniment. [1]
Regional styles range from the austere, slow-moving chords of high Svaneti and the resonant drone songs of Kakheti (Chakrulo) to the four-part contrapuntal virtuosity of Guria. [2]
Documented custodians and practitioner lineages: Rustavi & Basiani State Ensembles · Village Choirs.