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Music

Georgian Polyphonic Singing

ქართული მრავალხმიანობაTbilisi, Svaneti & Guria · Georgia

Three-part secular and liturgical vocal polyphony of the Caucasus featuring untempered fifths, sharp dissonances, and Gurian krimanchuli yodeling.

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The tradition & historical record

1 min read · 11 cited sources

Sung at the Georgian supra feast table, in mountain work songs, and in stone Orthodox monasteries, Georgian polyphony weaves three independent vocal lines without instrumental accompaniment. [1]

Regional styles range from the austere, slow-moving chords of high Svaneti and the resonant drone songs of Kakheti (Chakrulo) to the four-part contrapuntal virtuosity of Guria. [2]

Transmission & Custody

Documented custodians and practitioner lineages: Rustavi & Basiani State Ensembles · Village Choirs.

Sourced or Silent · Open Archival Questions

What is still undocumented in this room

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Active Practitioner Census
Current guild- or locality-level count of active masters and apprentices awaits a cited survey.
Field Audio & Notation
CC-licensed performance audio or rhythmic notation is not yet linked to this record.
Vernacular Bibliography
Regional-language monographs and local academy catalogues remain open for citation.