ice dance

The tradition & historical record

Ice dance (sometimes referred to as ice dancing) is a discipline of figure skating that historically draws from ballroom dancing. It joined the World Figure Skating Championships in 1952, and became a Winter Olympic Games medal sport in 1976. According to the International Skating Union (ISU), the governing body of figure skating, an ice dance team consists of one woman and one man. Ice dance, like pair skating, has its roots in the "combined skating" developed in the 19th century by skating clubs and organizations and in recreational social skating. Couples and friends would skate waltzes, marches, and other social dances. The first steps in ice dance were similar to those used in ballroom dancing. In the late 1800s, American Jackson Haines, known as "the Father of Figure Skating", brought his style of skating, which included waltz steps and social dances, to Europe. By the end of the 19th century, waltzing competitions on the ice became popular throughout the world. By the early 1900s, ice dance was popular around the world and was primarily a recreational sport, although during the 1920s, local skating clubs in Britain and the U.S. conducted informal dance contests. Recreational skating became more popular during the 1930s in England. The first national competitions occurred in England, Canada, the U.S., and Austria during the 1930s. The first international ice dance competition took place as a special event at the World Championships in 1950 in London. ¹

Ice dance, like pair skating, has its roots in the "combined skating" developed in the 19th century by skating clubs and organizations and in recreational social skating. Couples and friends would skate waltzes, marches, and other social dances together. According to writer Ellyn Kestnbaum, ice dance began with late 19th-century attempts by the Viennese and British to create ballroom-style performances on ice skates. However, figure skating historian James Hines argues that ice dance had its beginnings in hand-in-hand skating, a short-lived but popular discipline of figure skating in England in the 1890s; many of the positions used in modern ice dance can be traced back to hand-in-hand skating. The first steps in ice dance were similar to those used in ballroom dancing, so unlike modern ice dance, skaters tended to keep both feet on the ice most of the time, without the "long and flowing edges associated with graceful figure skating". In the late 1800s, American Jackson Haines, known as "the Father of Figure Skating", brought his style of skating to Europe. He taught people in Vienna how to dance on the ice, both singly and with partners. Capitalizing on the popularity of the waltz in Vienna, Haines introduced the American waltz, a simple four-step sequence, each step lasting one beat of music, repeated as the partners moved in a circular pattern. By the 1880s, it and the Jackson Haines waltz, a variation of the American waltz, were among the most popular ice dances. Other popular ice dance steps included the mazurka, a version of the Jackson Haines waltz developed in Sweden, and the three-step waltz, which Hines considers "the direct predecessor of ice dancing in the modern sense". ¹

By the early 1900s, ice dance was popular around the world and was primarily a recreational sport, although during the 1920s, local clubs in Britain and the U.S. conducted informal dance contests in the ten-step, the fourteen-step, and the killian, which were the only three dances used in competition until the 1930s. Recreational skating became more popular during the 1930s in England, and new and more difficult set-pattern dances, which later were used in compulsory dances during competitions, were developed. According to Hines, the development of new ice dances was necessary to expand upon the three dances already developed; three British teams in the 1930s—Erik van der Wyden and Eva Keats, Reginald Wilkie and Daphne B. Wallis, and Robert Dench and Rosemarie Stewart—created one-fourth of the dances used in International Skating Union (ISU) competitions by 2006. In 1933, the Westminster Skating Club conducted a competition encouraging the creation of new dances. Beginning in the mid-1930s, national organizations began to introduce skating proficiency tests in set-pattern dances, improve the judging of dance tests, and oversee competitions. The first national competitions occurred in England in 1934, Canada in 1935, the U.S. in 1936, and Austria in 1937. These competitions included one or more compulsory dances, the original dance, and the free dance. By the late 1930s, ice dancers swelled memberships in skating clubs throughout the world, and in Hines' words "became the backbone of skating clubs". The ISU began to develop rules, standards, and international tests for ice dance in the 1950s. The first international ice dance competition occurred as a special event during the 1950 World Figure Skating Championships in London; Lois Waring and Michael McGean of the U.S. ¹

Ice dance became an Olympic sport in 1976; Lyudmila Pakhomova and Alexandr Gorshkov from the Soviet Union were the first gold medalists. The Soviets dominated ice dance during most of the 1970s, as they did in pair skating. They won every Worlds and Olympic title between 1970 and 1978, and won medals at every competition between 1976 and 1982. In 1984, British dancers Jayne Torvill and Christopher Dean, whom Hines calls "the greatest ice dancers in the history of the sport", briefly interrupted Soviet domination of ice dance by winning a gold medal at the Olympic Games in Sarajevo. Their free dance to Ravel's Boléro has been called "probably the most well known single program in the history of ice dance". Hines asserts that Torvill and Dean, with their innovative choreography, dramatically altered "established concepts of ice dancing". ¹

During the 1970s, there was a movement in ice dance away from its ballroom roots to a more theatrical style. The top Soviet teams were the first to emphasize the dramatic aspects of ice dance, as well as the first to choreograph their programs around a central theme. They also incorporated elements of ballet techniques, especially "the classic ballet pas de deux of the high-art instance of a man and woman dancing together". They performed as predictable characters, included body positions that were no longer rooted in traditional ballroom holds, and used music with less predictable rhythms. The ISU pushed back during the 1980s and 1990s by tightening rules and definitions of ice dance to emphasize its connection to ballroom dancing, especially in the free dance. The restrictions introduced during this period were designed to emphasize skating skills rather than the theatrical and dramatic aspects of ice dance. ¹

The European dominance of ice dance was interrupted at the 2010 Winter Olympics in Vancouver by Canadians Tessa Virtue and Scott Moir and Americans Meryl Davis and Charlie White. ¹

Before the 2010–2011 figure skating season, there were three seg… ¹

The text above is adapted from the Wikipedia article “Ice dance”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

ice dance is discipline of figure skating that draws from ballroom dancing, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 13 external registers, which can be verified through the citation. ²