Family unrecorded

Jahribeyim

Cəhribəyim — Azərbaycanın milli rəqsi. Cəhribəyim yalnız qızlar və qadınlar tərəfindən ifa edilən kutləvi rəqsdir. Rəqs iki cərgəli şəkildə, iki qrupla ifa edilir.

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Quick guide to Jahribeyim

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Cəhribəyim — Azərbaycanın milli rəqsi.

01 · What it is
Living Tradition

Documented cultural tradition on record; family classification awaits an editor.

02 · Where & name
Geography awaiting source

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03 · How it is doing
□□□□ (Not yet assessed)

Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.

04 · Proof & reuse
1 cited source

Every claim links to a public record below. Free to quote, teach, and share under CC BY-SA 4.0.

Common Questions Answered on Record
What is Jahribeyim in plain words?

Cəhribəyim — Azərbaycanın milli rəqsi.

Where is Jahribeyim practised or documented?

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What is the current condition of Jahribeyim today?

□□□□ (Not yet assessed): Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.

How do I cite or share this Jahribeyim entry?

Cite as: "Jahribeyim." folkroom, https://folkroom.org/art-forms/jahribeyim, text CC BY-SA, with attribution.

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The tradition & historical record

1 min read · 1 source

Cəhribəyim — Azərbaycanın milli rəqsi. Cəhribəyim yalnız qızlar və qadınlar tərəfindən ifa edilən kutləvi rəqsdir. Rəqs iki cərgəli şəkildə, iki qrupla ifa edilir. Oynayan qruplar tərəfindən növbə ilə ifa olunan hər kupletdən sonra hamı xorla ucadan "Cəhribayim" deyir. Rəqsdə gəlin, bəy, elçi, sağdış, soldış və başqaları iştirak edirlər.

The text above is adapted from the Wikipedia article “Cəhribəyim”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.

Jahribeyim is national dance of Azerbaijan, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 1

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Sources on Record
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Questions awaiting a cited source

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How many people perform it today?
When is it first attested, and by whom?
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