The tradition
Kagura (神楽(かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods (kami) in the practice. One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process. Usually a female shaman will perform the dance and obtain the oracle from the god—in the setting, the dancer herself turns into the god during the performance. Once strictly a ceremonial art derived from kamigakari (神懸, "oracular divinification"), kagura has evolved in many directions over the span of more than a millennium. Today, it is very much a living tradition, with rituals tied to the rhythms of the agricultural calendar, thriving primarily in parts of Shimane Prefecture, and urban centers such as Hiroshima.¶
The text above is adapted from the Wikipedia article “Kagura”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
Kagura is a specific type of Shinto theatrical dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 9 external registers, which can be verified through the citation.1¶
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Elstner Hilton · Public domain
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: Kagura (Q1348260) | database | Wikidata |
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