pas de deux

The tradition & historical record

In ballet, a pas de deux [pɑ d(ə) dø] (French, literally "step of two") is a dance duet in which two dancers perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female (a danseur and a ballerina) though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. ²

A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and thoughts between romantic partners. It is often considered to be the pièce de résistance and bravura highlight of a ballet and is usually performed by a leading pair of principal dancers. ²

A grand pas de deux usually begins with an entrée (literally "entrance"), which serves as a short prelude to and also unequivocally denotes the beginning of the dance suite. During the entrée, the dancers first appear on the stage and, typically with great pageantry, acknowledge each other and position themselves near each other in preparation for the subsequent adagio. Depending on the choreography, the ballerina and danseur may enter the stage simultaneously or at different times. ²

The adagio or adage (meaning "slowly") part of a grand pas de deux features graceful and elaborate partnering by the dancing pair. In the adagio, the ballerina performs elegant, often slow and sustained movements while the danseur supports her. The danseur, in turn, strives to maintain a display of poise and seemingly effortless strength while providing support for the ballerina. The danseur may support the ballerina in a variety of common ways, including lifting her, holding and steadying her during turns, and offering a steady arm or hand for her to use as a "virtual barre" when she performs balancing feats that would be difficult or impossible without assistance. Because of this support the adagio is sometimes called supported adagio. ²

Upon completion of the adagio, the dancers separate and each dancer, in turn, takes center stage and performs a variation (a solo dance). In general, the variations are intended to showcase spectacular, acrobatic leaps and turns, as well as the skills and athleticism of the individual dancers. The danseur's variation is usually performed first, followed by the ballerina's variation. ²

The coda (literally "tail") is the concluding segment of a grand pas de deux. Typically, it is a recapitulation of earlier segments of the grand pas de deux, consisting of elements that are characteristic of the adagio, variations, or both, and ends during a grand musical climax. ²

The text above is adapted from the Wikipedia article “Pas de deux”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ²

pas de deux is ballet dance for two dancers, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ¹

The source record links this tradition to 5 external registers, which can be verified through the citation. ¹