Peruvian waltz

The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain.
First attestedunknownfrom the timeline
PractitionersUnknownno census we can cite
Claims on record00 sourced evidence rows
Sources cited1deduplicated by publisher

The tradition

The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country. It also became popular outside of Peru, particularly in Argentina, where local artists composed many notable Peruvian waltz compositions such as Amarraditos and Que nadie sepa mi sufrir.

The text above is adapted from the Wikipedia article “Peruvian waltz”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.

Peruvian waltz is Peruvian musical genre, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1

The source record links this tradition to 3 external registers, which can be verified through the citation.1

What it mixes with

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Artists and institutions

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Sources

0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.

SourceTypePublisher
Wikidata: Peruvian waltz (Q2509521)databaseWikidata

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Cite: “Peruvian waltz.” folkroom, https://folkroom.org/art-forms/peruvian-waltz — text CC BY-SA, with attribution.
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