Serbian folk dance

The tradition & historical record

Dancing tradition in Serbia is represented by various styles of dance, commonly called Kolo. The word originates from the Slavic word meaning a 'wheel,' circle, or circuit. Kolo is a collective dance, where dancers hold each other's hands in either a V or W formation, making a chain or a union. It is danced by all ethnicities and religious groups both in Serbia and other regions of the Balkans. Other terms such as Oro and Tanac are also used especially in regions of today's southeastern Serbia. Different forms of dance originated in different parts of Serbia, each shaped by local traditions, historical influences, and regional legacies. These dances also reflect interactions with other ethnic groups, migration patterns, changing governments, and cross regional influences. Kolo is danced at gatherings, festivals, weddings and other celebrations. It is danced in all regions of the country, both in urban and rural areas, and by all social groups. A large repertoire of Kolo dances is preserved and performed through the so-called Cultural Artistic Societies (Kulturno Umetnicka Drustva, also known as KUD), while a smaller number is danced in participatory dance practice in contemporary Serbia. These dances are often stylized and performed on stage in full traditional costume. ¹

It is also known as Kolo u tri koraka (Kolo in three steps), Kolo u šest (Kolo in six) or Kolo u šest koraka (Kolo in six steps). This is the most popular Kolo, originating from Šumadija region in central Serbia. Colloquially in Serbia when people say "Let's dance kolo" they refer to this particular dance, and most do not know it by the name Kolo u šest or Kolo u tri. It is a laterally symmetrical dance. Whatever is danced to the right, is repeated on the left. Although it is a symmetrical dance there is a tendency to cover more ground to the right than the left. The basic pattern involves moving to the right in either 3 or 6 steps, using any number of motifs, hopping in the same spot, moving to the left and hopping at the same spot, all the while bouncing. It is danced in the formation of a closed or open kolo. The hands are connected and hang by the body or under the arms. The first dancer in the kolo (kolovodja) has a special role in setting the motifs and the direction. The last dancer is called kec and might have had a role in keeping the kolo form, though this is no longer the case. There are many variations to the steps and the dancers have a lot of leeway, heavily improvising. Typical step motifs include basic triple step, cross step, cheat step-crossing, hop up and hop down. The dance has 8 measures (4 to the right, 4 to the left). The musical phrasing also has 8 measures, so that the dance and music rhythm overlap. It is characterized by a lively melody in major scale often featuring a 24 or 34 time signature, with the exception of Žikino kolo that is in either 34, 38, or 716 time signature. ¹

Malo Kolo or Malo Banatsko Kolo is a kolo from the northern Serbian region of Banat. It is one of the most popular kolos danced at social events. It is an 8 measure dance in 24 rhythm. It starts slow, speeding up with the footwork becoming more intricate and the dance more dynamic. It is performed in either a closed or open circle with dancers connected in a Vojvodina grip. The male and female dancers alternate, with the female dancers placing their hands on the male dancer's shoulders, while the male dancers connect their hands behind the female dancers' backs. The dance proceeds to steps to the right and two steps to the left. It is one of a few dances where women and men dance slightly different steps. Malo kolo is recorded on the national list of intangible heritage by the Ministry of Culture of Serbia. ¹

This traditional folk dance is prevalent in eastern Serbia and is danced by residents of Crnorečje, Banja, the middle course of the Timok River, Zaglavak, Budžak, Svrljiška Valley, around Niš, and parts of the Pirot Valley. It is danced in 8, 10, 12 and 16 measures in different regions. This kolo is one of three dances that is listed in the national list of Intangible heritage of the Republic of Serbia. ¹

Bojerka (Serbian noble dance), "Biserka-Bojerka" are two different melodies, to which the same dance was done in an urban circle. "Biserka" is derived from the word "biser", meaning "pearl" or "jewel". "Bojerka" is derived from the Romanian "Boiereasca" which means "Noble Woman". This was danced in elegent balls. Čačak Kolo is a 10-measure dance in 24 meter. It was mentioned as early as the second half of the 19th century as a dance from South Eastern Serbia. Even though it is thought to be named after the town of Čačak, given the geographic origin, the name may relate to an older Serbian term. This dynamic dance is characterized by fast, energetic steps and is often performed in a circle. It is widely popular especially in the western and central regions. There are many variants named after the region they are danced in, including Crnotravski, Banjski, Niški, Medevački and Šilovački. Čoček is usually a 3-measure dance in a variety of meters, such as rumba (24 or 44),78, 98, 128, and so on. A version danced in Serbia is Niški Sa, Sa which is also known as Sa, Sa, sa or Op sa. The name is derived from "opsa", a spontaneous exclamation and the town of Niš. It has a dance pattern with simple steps of 2 right, 2 backwards and two forward. Robot Kolo is another version of Čoček widely danced in Southern Serbia, composed by Saša Mutic in 1984. Lako Kolo means "the easy kolo" and is the same as Lesnoto danced in Northern Macedonia and Bulgaria. It is usually danced in 78 meter in Serbia. Svekrvino Oro (Mother In Law's - Husband's mother) is a melody to which this kolo is danced in South Eastern Serbia. It is performed at weddings and led by the groom's mother. Bugarka is a traditional dance from southeastern Serbia, performed in 7/16 meter. ¹

The text above is adapted from the Wikipedia article “Serbian dances”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

Serbian folk dance is type of dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 1 external register, which can be verified through the citation. ²