Sikambang Manih adalah tari peninggalan Kesultanan Inderapura yang melambangkan kebahagiaan pelayan kerajaan pada saat menumbuk padi.
01 · What it is
Living Tradition
Documented cultural tradition on record; family classification awaits an editor.
02 · Where & name
Indonesia
Placed on record in Indonesia.
03 · How it is doing
□□□□ (Not yet assessed)
Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.
04 · Proof & reuse
2 cited sources
Every claim links to a public record below. Free to quote, teach, and share under CC BY-SA 4.0.
Chapter Takeaways
Lihat jugaThe text above is adapted from the Wikipedia article “Sikambang Manih”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.
Common Questions Answered on Record
What is Sikambang Manih in plain words?
Sikambang Manih adalah tari peninggalan Kesultanan Inderapura yang melambangkan kebahagiaan pelayan kerajaan pada saat menumbuk padi.
Where is Sikambang Manih practised or documented?
Sources on this page place Sikambang Manih in Indonesia.
What is the current condition of Sikambang Manih today?
□□□□ (Not yet assessed): Documented in open cultural records, but no cited field assessment of its current vitality has been added here yet.
How do I cite or share this Sikambang Manih entry?
Cite as: "Sikambang Manih." folkroom, https://folkroom.org/art-forms/sikambang-manih, text CC BY-SA, with attribution.
Sikambang Manih adalah tari peninggalan Kesultanan Inderapura yang melambangkan kebahagiaan pelayan kerajaan pada saat menumbuk padi. Tari ini berkembang di Kabupaten Pesisir Selatan, terutama di Kecamatan Airpura dan Kecamatan Pancung Soal. Sikambang Manih dimainkan oleh enam orang penari dengan iringan musik rebana dan gendang. 1
Lihat juga
Sikambang (kesenian) 1
The text above is adapted from the Wikipedia article “Sikambang Manih”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1
Sikambang Manih is recorded in open cultural data. The structured record cited below does not describe the practice, and this entry has not yet been reviewed by a person familiar with the tradition. 2