Swedish hip hop

Swedish hip hop originated in the cities of Stockholm and Malmö in the first half of the 1980s. Early on, most rappers in Sweden performed in English. Funkalics and The Latin Kings, two very different acts united by their innovative use of the Swedish language, debuted a decade later and paved the way for a second, and bigger, breakthrough for Swedish hip hop. Today, some of the most popular rappers use Swedish, often in different accents.¶

Origins

Percussionist Per Cussion (of reggae-punk band Dag Vag) and Grandmaster Funk are generally credited with bringing hip hop to Sweden. In 1984 they released the songs "Don't Stop", "Snow Blind" and "Payin´ The Price". Breakdancing had arrived a year earlier and spread quickly, its forerunners known as Robot Lasse, Mark, Spirio and Perkeles. In 1984, Jan Fex, from Lund, released an album, "Utanför mitt liv", on Mercury Records with the first contemporary R&B, rap and EDM songs in Swedish, 5 years before Just D's debut. The album came about after Fex had lived in New York in 1982 and 1983. Fex moved to Copenhagen, Denmark in 1985 and started a Fairlight CMI rental service, thereby becoming one of the first Swedes to work with digital samplers and sequencers. The vinyl release never made it to CD and a re-master had digital release in 2025. In the summer of 1984, following a major dance competition, Double M Crew, Abdula & The Rockers, Rock Ski, Almighty T and MC II Fresh joined together to form the hip hop collective Ice Cold Rockers, a crew consisting of rappers, scratchers, dancers and graffiti artists. Broadcaster D and One Eye Que (later recording under the name Ayo) started their collaboration. Sweden, outside of Stockholm, soon became familiar with hip hop when the popular movie Stockholmsnatt, which featured the IC Rockers, came out. Pop-C and Snoopy were on the soundtrack and had a hit in 1986 with their single "Next Time". New artists followed in their tracks. Rob'n'Raz produced the album Competition Is None and introduced Papa Dee's dub and dancehall influenced rap to the Swedes.¶

The first breakthrough

By the end of the 1980s, hip hop became increasingly more popular in Sweden. The international success of rapper/singer Neneh Cherry's crossover album, Raw Like Sushi, made the Swedish media take a closer look at the genre in the context of Sweden's native artists. The inaugural Swedish Championship in Rap was held in 1989 and the winner was ADL's group Sons Of Soul. The runner-up was Ms Melodie, who went on to have a career as Leila K. Briefly picking up the torch of Neneh Cherry, Leila K had an international crossover hit with the rap track "Got To Get". The third place was taken by the legendary Vasteras rapper Mc Magic Dee and his Thirteen cent Killer. There was now a solid market for rap music and record companies were taking notice.¶

Just D's ironically titled album Rock N Roll became popular with many people who had yet to embrace hip hop. Snoopy (aka Quincy Jones III) had moved to the USA to produce acts like Young MC, LL Cool J and Ice Cube. The Sure Shot Groove (MC Stranger and Complicated C) debuted with the 12-inch Rhymes R Flowin'. The collective Infinite Mass won the Swedish qualification finals for the World Rap Competition and released their EP Da Blackmass. One of their songs, "Shoot The Racist", was on the soundtrack for the 1993 movie Sökarna and became hugely popular. It was later renamed "Area Turns Red" due to some media controversy over the lyrics. The Latin Kings ushered in a new wave of Swedish hip hop artists. They used "Rinkeby Swedish", sometimes described as a kind of a pidgin language, to describe life in the 'Million Programme' suburbs of Stockholm.¶

The second breakthrough

In 1998 Petter debuted with the album Mitt sjätte sinne, which became an enormous success and started the Swedish hip hop boom of the late 1990s. With him came an array of artists, such as Thomas Rusiak, DJ Sleepy and Eye-n'-I. Other artists that achieved mainstream popularity following Petter's break include Ken Ring and Ayo. Feven released her acclaimed album Hela Vägen Ut. Looptroop developed a middle class revolutionary style. Timbuktu, a native of Lund, emerged and went on to gain a reputation as one of Sweden's most popular MCs.¶

21st century

Swedish rappers who have achieved nationwide recognition include: Promoe, Snook, Ayesha, Fjärde Världen, Fattaru, Ison & Fille, Advance Patrol, Lazee, Toftgard, and Adam Tensta. Many of these artists have been exposed to a domestic hip hop culture since they were born, or very young. In a sense the Swedish scene has become less volatile, and also less vulnerable to becoming extinct. Influence from the U.S. culture is no longer as significant; American hip hop is still important but outside influences also come from French, British, Danish, and Japanese hip hop, and other regions around the world with vibrant and innovative music scenes. Due to file sharing via the Internet and changing consumer markets, the number of records an artist has sold is not necessarily indicative of how popular or important that artist is. There are Swedish hip hop acts who release records for what they know is going to be an economic loss, in hope of earning their money through concerts and other ventures. The hip hop genres represented in Swedish hip hop are plentiful. Alternative hip hop is, most likely, bigger than Gangsta and Hardcore combined. There are also many fusion genres such as Neo soul, Grime, and Reggaeton. Swedish rap often deals with themes of multiculturalism and positive suburban identity. Many rappers affirm their ethnic and racial background, but tend to identify more with their community and with Swedish minorities in general rather than with specific ethnic cultures, or with mainstream Swedish culture.¶

Notable artists

The list of people who have made a name for themselves in Swedish hip hop can be made very long. With a few exceptions (Feven, Melinda Wrede, Remedeeh) Acts that have had some international success include LE SINNER, Rebstar, Looptroop Yung Lean, Bladee, Thaiboy Digital, Ecco2k, Max Peezay, and Million Stylez.¶

The text above is adapted from the Wikipedia article “Swedish hip-hop”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Swedish hip hop is music genre or scene, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 2 external registers, which can be verified through the citation.¹¶