The tradition
Lhamo (Standard Tibetan: ལྷ་མོ, romanized: Lha mo), or Ache Lhamo, is a classical secular theatre of Tibet with music and dance that has been performed for centuries, whose nearest western equivalent is opera. Performances have a narrative and simple dialogue interspersed with comedy and satire; characters wear colorful masks. The core stories of these theatrical plays are drawn mostly from ancient Indian Buddhist folk tales, lives of important people and historical events from Tibetan civilization. However the ceremonial, dance and ritual spectacles strongly reflects the Tibetan Royal Dynastic period. Very similar traditions are found in Bhutan and other regions influenced by Tibetan Buddhism and Tibetan culture. There are at least three unique schools of Lhamo: Kyimulunga, Gyangara, and Chungba.¶
The text above is adapted from the Wikipedia article “Lhamo”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
lhamo is classical theatre of Tibet, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 5 external registers, which can be verified through the citation.1¶
What it mixes with
Artists and institutions
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: lhamo (Q615455) | database | Wikidata |
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