acid house

Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop.¶

Characteristics

Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 electronic synthesizer-sequencer. The sound is commonly produced by raising the filter resonance and lowering the cutoff frequency of the synthesizer, along with programming the 303's accent, slide, and octave parameters, to create variation in otherwise simple bass patterns. "Exploration of texture" is preferred over melody; "a refusal of the metaphysical priorities of western music discourse". Other elements, such as synthetic strings and stabs, were usually minimal. Sometimes tracks were instrumentals, such as Phuture's "Acid Tracks", or contained full vocal performances, such as DJ Pierre's Pfantasy Club's "Fantasy Girl", while others were essentially instrumentals complemented by the odd spoken word "drop-in", such as Phuture's "Slam".¶

Etymology

There are conflicting accounts about the origin of the term acid. One self-claimed account by members of Phuture points to their own "Acid Tracks". Before the song was given a title for commercial release, it was played by DJ Ron Hardy at a nightclub where psychedelic drugs were reportedly used. The club's patrons called the song "Ron Hardy's Acid Track" (or "Ron Hardy's Acid Trax"). The song was released with the title "Acid Tracks" on Larry Sherman's label Trax Records in 1987. Sources differ on whether it was Phuture or Sherman who chose the title; Phuture's DJ Pierre says the group did because the song was already known by that title, but DJ Pierre says he chose the title because the song reminded him of acid rock. Regardless, after the release of Phuture's song, the term acid house came into common parlance. Some accounts say the reference to "acid" may be a celebratory reference to psychedelic drugs in general, such as LSD, as well as the popular club drug Ecstasy (MDMA). According to Professor Hillegonda Rietveld, a researcher specializing in electronic dance music, it was the house sensibility of Chicago, in a club like Hardy's The Music Box, that afforded it its initial meaning. In her view "acid connotes the fragmentation of experience and dislocation of meaning due to the unstructuring effects on thought patterns which the psychedelic drug LSD or 'Acid' can bring about". In the context of the creation of "Acid Tracks" it indicated a concept rather than the use of psychedelic drugs in itself. Some accounts disavow psychedelic connotations. One theory, holding that acid was a derogatory reference towards the use of samples in acid house music, was repeated in the press and in the British House of Commons.¶

Origins

Before the term "acid house" was introduced, rawer early acid house was "hi-NRG", a type of bassline-driven electronic music that began with disco music that discarded its funk element, starting with Giorgio Moroder productions for Donna Summer. However, the earliest recorded examples of acid house are a matter of debate. Sleezy D's "I've Lost Control" (1986) was the first to be released on vinyl, but it is impossible to know which track was created first. In the 21st century, attention was drawn to Charanjit Singh's album Synthesizing: Ten Ragas to a Disco Beat (1982), featuring Indian ragas fused with disco. The album released as early as 1982, featured a TB-303 prominently, Singh being one of the earliest musicians to use it on a commercial release. The record predates the famously known "Acid Trax" by 5 years. It was initially a commercial failure in India and eventually forgotten. Following its rediscovery and eventual re-release in early 2010 some music journalists compared the music to that of acid house music, even suggesting it might be the first example of the style. Suns of Arqa's Ark of the Arqans (1985) proved an influence on early acid house.¶

Chicago movement (mid-1980s–late 1980s)

The first acid house records were produced in Chicago, Illinois. Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in house music (the instrument had been used earlier in disco records by the earlier mentioned Charanjit Singh in 1982, in hi-NRG, Alexander Robotnick in 1983). The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. Chicago's house music scene suffered a crackdown on parties and events by the police. Sales of house records dwindled and, by 1988, the genre was selling less than a tenth as many records as at the height of the style's popularity. However, house and especially acid house was beginning to experience a surge in popularity in Britain.¶

London

London's club Shoom opened in November 1987 and was one of the first clubs to introduce acid house to the clubbing public of the UK. It was opened by Danny Rampling and his wife, Jenny. The club was extremely exclusive and featured thick fog, a dreamy atmosphere and acid house. This period began what some call the Second Summer of Love, a movement credited with a reduction in football hooliganism: instead of fights, football fans were listening to music, taking ecstasy, and joining the other club attendees in a peaceful movement that has been compared to the Summer of Love in San Francisco in 1967. Another club called Trip was opened in June 1988 by Nicky Holloway at the Astoria in London's West End. Trip was geared directly towards the acid house music scene. It was known for its intensity and stayed open until 3 AM. The patrons would spill into the streets chanting and drew the police on regular occasions. The reputation that occurrences like this created along with the UK's strong anti-club laws started to make it increasingly difficult to offer events in the conventional club atmosphere. Considered illegal in London during the late '80s, after-hour clubbing was against the law. However, this did not stop the club-goers from continuing after-hours dancing.¶

The text above is adapted from the Wikipedia article “Acid house”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

acid house is subgenre of house music, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 15 external registers, which can be verified through the citation.¹¶