The tradition & historical record
2 min read · 2 sourcesDiple (pluralia tantum; pronounced [dîple̞], from Greek δῐπλόος lit. 'double, two-fold'), also known as misnjiče, miješnice and mih, is a traditional woodwind musical instrument originating in the Adriatic Littoral. It is played in Bosnia and Herzegovina, Croatia, Slovenia, Montenegro, and Serbia. 1
The flute
The diple are a reedpipe instrument that incorporates two bores within one body, and thus creates two notes simultaneously. Generally, the left hand fingers a group of holes on the left side of the body, and the right on its side. 1
Droneless bagpipes
All bagpipe diple have a double chanter with two separate single reeds, which originated in the coastal areas of Dalmatia, Bosnia and Herzegovina, and Montenegro with various difference. The bag of the bagpipes is called a mih/mêh/mijeh/mješina, which consists of a tanned goat skin, the blowpipe is a dulac or gajdenica, through which the air is blown, which is in fact a double chanter used to play the melody and harmony simultaneously. The chanter incorporates two single reeds, one in each bore. The mijeh or diple is played from Istria in the north, down through Lika, Dalmatia, Bosnia and Herzegovina, and ending in Montenegro. Unlike the majority of European bagpipes, the meh has no drone (trubanj, prdalo, prdaljka), instead playing both a melody and harmony part on the chanter. Though their general form is similar, the meh in different parts of Bosnia varies in chanter tunings, ornamentation, and other small factors. The meh is an untempered instrument, and its specific intonation varies by region. 1
The text above is adapted from the Wikipedia article “Diple”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1
diple is traditional woodwind musical instrument in Croatian and Montenegrin music, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2
The source record links this tradition to 4 external registers, which can be verified through the citation. 2
