The tradition & historical record
2 min read · 2 sourcesDormition of the Virgin is a tempera painting on panel executed by El Greco near the end of his Cretan period, probably before 1567. El Greco's signature on the base of the central candelabrum was discovered in 1983. The discovery of the Dormition led to the attribution of three other signed works of "Doménicos" to El Greco (Modena Triptych, St. Luke Painting the Virgin and Child, and The Adoration of the Magi) and then to the acceptance as authentic of more works, signed or not (such as The Passion of Christ (Pietà with Angels), painted in 1566). This discovery constituted a significant advance in the understanding of El Greco's formation and early career. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements. El Greco is now seen as an artist with a formative training on Crete; a series of works illuminate the style of early El Greco, some painted while he was still in Crete, some from his period in Venice, and some from his subsequent stay in Rome. The icon, which retains its function as an object of veneration in the Church of the Dormition of the Virgin in Syros, was probably brought to the island during the Greek War of Independence. The icon conforms closely to the established pattern for this subject, which was very common in the Orthodox Church in which El Greco was raised and was influenced by. 1
The text above is adapted from the Wikipedia article “Dormition of the Virgin (El Greco)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1
Dormition of the Virgin is painting by El Greco, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2
The source record links this tradition to 1 external register, which can be verified through the citation. 2