electro

Electro (also known as electro-funk, and sometimes referred to as electro-pop) is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip-hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop from Germany and Japan. Foundational artists in the electro movement include Arthur Baker, Afrika Bambaataa, Warp 9, and Hashim. Pioneering tracks like "Planet Rock" (1982) and "Nunk" (1982) established the genre’s signature sound. Electro reached peak popularity in the early 1980s. However, the genre began to shift by the mid-decade, incorporating harder beats and rock elements, as seen in the work of groups like Run DMC. After a period of decline, a revival emerged in the late 1990s led by artists such as Anthony Rother and DJs like Dave Clarke.¶

Definition and characteristics

From its inception, one of the defining characteristics of the electro sound was the use of drum machines, particularly the Roland TR-808, as the rhythmic basis of the track. As the genre evolved, computers and sampling replaced drum machines in electronic music, and are now used by the majority of electro producers. Although the electro of the 1980s and contemporary electro (electronic dance music) both grew out of the dissolution of disco, they are now different genres. Classic (1980s) electro drum patterns tend to be electronic emulations of breakbeats with a syncopated kick drum, and usually a snare or clap accenting the backbeat. The difference between electro drumbeats and breakbeats (or breaks) is that electro tends to be more mechanical, while breakbeats tend to have more of a human-like feel, like that of a live drummer. The definition however is somewhat ambiguous in nature due to the various uses of the term. The Roland TR-808 drum machine was released in 1980, defining early electro with its immediately recognizable sound. Staccato, percussive drumbeats tended to dominate electro, almost exclusively provided by the TR-808. As an inexpensive way of producing a drum sound, the TR-808 caught on quickly with the producers of early electro because of the ability of its bass drum to generate extreme low-frequencies. This aspect of the Roland TR-808 was especially appealing to producers who would test drive their tracks in nightclubs (like NYC's Funhouse), where the bass drum sound was essential for a record's success. Its unique percussion sounds like handclaps, open and closed high-hat, clave and cowbell became integral to the electro sound.¶

History

Following the decline of disco music in the late 1970s, various funk artists such as Zapp began experimenting with talk boxes and the use of heavier, more distinctive beats. Boogie played a role during the formative years of electro, notably "Feels Good" by Electra (Emergency – EMDS-6527), the post-disco production "You're the One for Me" by D. Train (Prelude – PRL D 621), and the Eric Matthew/Darryl Payne productions "Thanks to You" by Sinnamon (Becket – BKD 508), and "On A Journey (I Sing The Funk Electric)" by Electrik Funk (Prelude – PRL D 541). Electro eventually emerged as a fusion of different styles, including funk, boogie combined with German and Japanese technopop, in addition to influences from the futurism of Alvin Toffler, martial arts films, and video game music. The genre's immediate forebears included Kraftwerk and Yellow Magic Orchestra (YMO). In 1980, YMO was the first band to utilize the TR-808 programmable drum machine. That same year, YMO member Ryuichi Sakamoto released "Riot in Lagos", which is regarded as an early example of electro music, and is credited for having anticipated the beats and sounds of electro. The song's influence can be seen in the work of later pioneering electro artists such as Afrika Bambaataa and Mantronix. Electro experienced a watershed year in 1982. Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's "Trans-Europe Express" (from the album of the same name) and "Numbers" (from Kraftwerk's 1981 Computer World album) combined with the use of distinctive TR-808 beats.¶

Electro-soul

In the early 1980s, Detroit techno DJ Eddie Fowlkes shaped a related style called electro-soul, which was characterized by a predominant bass line and a chopped up electro breakbeat contrasted with soulful male vocals. Kurtis Mantronik's electro-soul productions for Joyce Sims presaged new jack swing's combination of hip hop and soul elements. In a 2016 profile on the genre's rise in Denver's music scene, Dylan Owens of The Denver Post writes, "As with all fledgling genres, little about electro-soul is defined — even what to call it. (Of the eight artists interviewed for this article, none agreed on any one name.) But what does seem sure is its rise, especially locally. If Denver can be known as the musical torchbearer of any genre, it's electro-soul's half-live, half-produced swirl of hip-hop, soul, funk and jazz." "No Self Control" by Peter Gabriel, taken from his 1980 self-titled album, has been described as electro-soul, fused with art rock.¶

Contemporary electro

Although the early 1980s were electro's heyday in the mainstream, it enjoyed renewed popularity in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke. The genre made yet another comeback for a third wave of popularity in 2007. The continued interest in electro, though influenced to a great degree by Florida, Detroit, Miami, Los Angeles and New York styles, has primarily taken hold in Florida and Europe with electro club nights becoming commonplace again. The scene still manages to support hundreds of electro labels, from the disco electro of Clone Records, to the old school b-boy styles of Breakin’ Records and Dominance Electricity, to the electrofunk of Citinite, and to harder more modern styles of electro of labels like Bass Frequency Productions and Nu Illusion Music. New branches of electro have risen over the last couple of years. Florida has pioneered the "Electrocore" sound, started in the late 1990s by artists like Jackal and Hyde and Dynamix II and carried on to this day. Skweee is a genre which developed in Nordic countries such as Sweden and Finland, hence its first name "Scandinavian Funk". The outlets and artists of Skweee are still mostly limited to the Nordic countries. Starting in the late 1990s, the term "electro" is also used to refer two other fusion genres of electro, either blended with techno and new wave in electroclash.¶

The text above is adapted from the Wikipedia article “Electro (music)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

electro is genre of electronic dance music that originated in the 1980s, characterized by the use of synthesizers, drum machines, and minimalistic, mechanical rhythms, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 11 external registers, which can be verified through the citation.¹¶