The tradition
The ensalada (Spanish for salad) is a genre of polyphonic secular music mixing languages and dialects and nonsensical quodlibets. The term is known mainly through a publication, Las Ensaladas de Flecha Prague (1581), by Mateo Flecha the Younger, that contains six long four-part vocal compositions by his uncle Mateo Flecha (1481–1553). Each of these ensaladas is divided into several sections, ranging from seven to twelve. The music is for four voices. Apart from the ensaladas by Mateo Flecha, there are also two examples by Mateo Flecha the younger, two by Pere Alberch Vila, several by Bartolomé Cárceres, one by the unknown F. Chacón and several anonymous sources. There is also an instrumental ensalada for organ by Sebastián Aguilera de Heredia.¶
The text above is adapted from the Wikipedia article “Ensalada (music)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶
ensalada is music genre, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.1¶
The source record links this tradition to 11 external registers, which can be verified through the citation.1¶
Sources
0 claims and 0 timeline entries on this page draw on 1 sources, deduplicated by publisher.
| Source | Type | Publisher |
|---|---|---|
| Wikidata: ensalada (Q448738) | database | Wikidata |
Do you practise or teach ensalada?
Correct what is wrong, add what is missing, and cite your source — every edit is a claim, and every claim needs one. The full history of this page is public and append-only.