grunge

The tradition & historical record

Grunge (originally known as the Seattle Sound) is an alternative rock genre and subculture that emerged during the mid-1980s in the U.S. state of Washington, particularly in Seattle and Olympia, and other nearby cities. Grunge fuses elements of punk rock and heavy metal, and features the distorted electric guitar sound used in both genres, as well as bass guitar, drums, and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth, Pixies, and Dinosaur Jr. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, addiction, psychological trauma, and a desire for freedom. The early grunge movement revolved around Seattle's independent record label Sub Pop and the region's underground music scene, with local bands such as Green River, the Melvins, and Mudhoney playing key roles in the genre's development. Sub Pop marketed the style shrewdly, encouraging media outlets to describe the Seattle sound as "grunge"; the style became known as a hybrid of punk and metal. By the early 1990s, its popularity had spread, with similar sounding bands appearing in California, then emerging in other parts of the United States and Australia, building strong followings and signing major record deals. ¹

The term "grunge" is American slang for "someone or something that is repugnant" and also for "dirt". In 1988, it was first recorded as being applied to Seattle musicians in a Sub Pop mail order catalog, when Bruce Pavitt described Green River's Dry as a Bone EP as "Gritty vocals, roaring Marshall amps. Ultra-loose GRUNGE that destroyed the morals of a generation". Although the phrase "grunge" has been used to describe bands since the 1960s, this was the first association of grunge with the sound of a Seattle rock band. At the time, it was expensive and time-consuming for Northwestern groups who were starting out to get a clean recording sound, so the alternative cheaper option was to leave the sound dirty and turn up the volume. According to writer Catherine Strong, this sound, due to low budgets, unfamiliarity with recording, and a lack of professionalism may be the origin of the term "grunge". The "Seattle scene" was a regional Pacific Northwest alternative music movement that was linked to the University of Washington in Seattle, and the Evergreen State College in Olympia. Evergreen is a progressive college which does not use a conventional grading system and has its own radio station, KAOS. The music of these bands, many of which had recorded with Seattle's independent record label Sub Pop, became labeled as "grunge". Nirvana's frontman Kurt Cobain, in one of his final interviews, credited Jonathan Poneman, cofounder of Sub Pop, with coining the term "grunge" to describe the music. The term "Seattle sound" became a marketing ploy for the music industry. In September 1991, the Nirvana album Nevermind was released, bringing mainstream attention to the music of Seattle. ¹

In 1984, the punk rock band Black Flag toured small towns across the US to bring punk to the more remote parts of the country. By this time, their music had become slow and sludgy, less like the Sex Pistols and more like Black Sabbath. Krist Novoselic, later the bassist with Nirvana, recalled going with the Melvins to see one of these shows, after which Melvins frontman Buzz Osborne began writing "slow and heavy riffs" to form a dirge-like music that was the beginning of northwest grunge. The Melvins were the most influential of the early grunge bands. Malfunkshun have also been cited as an influence on the early sound of grunge by figures such as Kurt Cobain and Mark Arm. Sub Pop producer Jack Endino described grunge as "seventies-influenced, slowed-down punk music". Leighton Beezer, who played with Mark Arm and Steve Turner in the Thrown Ups, state that when he heard Green River play Come On Down, he realized that they were playing punk rock backwards. He noted that the diminished fifth note was used by Black Sabbath to produce an ominous feeling but it is not used in punk rock. In the 1996 grunge film documentary Hype!, Beezer demonstrated on guitar the difference between punk and grunge. First he played the riff from "Rockaway Beach" by the Ramones that ascends the neck of the guitar, then "Come On Down" by Green River that descends the neck. The two pieces are only a few notes apart but sound unalike. He took the same rhythm with the same chord, however descending the neck made it sound darker, and therefore grunge. ¹

Grunge guitarists like Kurt Cobain often used "offset" guitars like the Fender Jaguar, Fender Jazzmaster, or Mustang. They used primarily offset guitars because at the time they were unpopular enough to offer a new image as opposed to more frequently seen Gibson Les Pauls or Fender Stratocaster and Telecaster used by mainstream pop & rock bands. Being unpopular when grunge started, offset guitars also offered excellent value for money. Grunge is generally characterized by a sludgy electric guitar sound with a thick middle register and rolled-off treble tone and a high level of distortion and fuzz, typically created with small 1970s-style stompbox pedals, with some guitarists chaining several fuzz pedals together and plugging them into a tube amplifier and speaker cabinet. Grunge guitarists use very loud Marshall guitar amplifiers and some used powerful Mesa-Boogie amplifiers, including Kurt Cobain and Dave Grohl (the latter in early, grunge-oriented Foo Fighters songs). Grunge has been called the rock genre with the most "lugubrious sound"; the use of heavy distortion and loud amps has been compared to a massive "buildup of sonic fog". or even dismissed as "noise" by one critic. As with metal and punk, a key part of grunge's sound is very distorted power chords played on the electric guitar. Whereas metal guitarists' overdriven sound generally comes from a combination of overdriven amplifiers and distortion pedals, grunge guitarists typically got all of their "dirty" sound from overdrive and fuzz pedals, with the amp just used to make the sound louder. Grunge guitarists tended to use the Fender Twin Reverb and the Fender Champion 100 combo amps (Cobain used both of these amps). ¹

Grunge guitarists "flatly rejected" the virtuoso "shredding" guitar solos that had become the centerpiece of heavy metal songs, instead opting for melodic, blues-inspired solos – focusing "on the song, not the guitar solo". Jerry Cantrell of Alice in Chains stated that solos should be to serve the song, rather than to show off a guitarist's technical skill. ¹

The early Seattle grunge album Skin Yard recorded in 1987 by the band of the same name included fuzz bass (overdriven bass guitar) played by Jack Endino and Daniel House. ¹

The text above is adapted from the Wikipedia article “Grunge”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

grunge is genre of rock music, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 37 external registers, which can be verified through the citation. ²