Painting

hikime kagibana

Hikime kagibana (引目鉤鼻) describes a feature of illustration continuing in the repertoire of Japanese Art from the Heian period through the Kamakura period, most notably in yamato-e e-maki.

Ilustration of the The Tale of Genji , ch.5–Wakamurasaki, traditionally credited to Tosa Mitsuoki (1617–1691), part of the Burke Albums, property of Mary Griggs Burke
Photo: Tosa Mitsuoki · Public domain+ Add licensed photo →

The tradition & historical record

1 min read · 2 sources

Hikime kagibana (引目鉤鼻) describes a feature of illustration continuing in the repertoire of Japanese Art from the Heian period through the Kamakura period, most notably in yamato-e e-maki. Its influence can be traced right up the Edo-period ukiyo-e or later. 1

Works done in the hikime kagibana style show faces with essentially identical features.: slit eyes and hook nose. The Hikime Kagibana style also does not allow a full front view of a face. There are only two main viewpoints used to depict faces: an oblique angle of 30 degrees from the front and a right angle giving a profile. When faces are shown from a right angle, the eyebrows and corners of the eyes are visible but the nose is not – something that is not possible in actuality. 1

The text above is adapted from the Wikipedia article “Hikime kagibana”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

hikime kagibana is recorded in open cultural data. The structured record cited below does not describe the practice, and this entry has not yet been reviewed by a person familiar with the tradition. 2

The source record links this tradition to 2 external registers, which can be verified through the citation. 2

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Sources on Record
[1]Wikipedia: Hikime kagibana · encyclopedia
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