jongo

The tradition & historical record

Jongo, also known as caxambu or tabu, is a dance and musical genre of black communities from southeast Brazil. It originated from the dances performed by slaves who worked at coffee plantations in the Paraíba Valley, between Rio de Janeiro and São Paulo, and also at farms in some areas of Minas Gerais and Espírito Santo. Jongo is a member of a larger group of Afro-Brazilian dances, such as batuque, tambor de crioula, and zambê, which feature many elements in common, including the use of fire-tuned drums, the call-and-response form of group singing, the poetical language used in the songs, and the umbigada, a distinctive step whereby two dancers hit their bellies. Jongos usually take place during a nightlong party in which several people dance in pairs or in a circle, to the sound of two or more drums, while a soloist sings short phrases answered by the group. The drums, built from hollow tree trunks covered with animal hide in one of the extremities and tuned by the heat of a bonfire, are called caxambu or tambu (the bigger one) and candongueiro (the smaller one). Other instruments can also be used, such as a large and low-pitched friction drum, called puíta or angoma-puíta, and a rattle made of straw and small beads, called guaiá, inguaiá, or angóia. Jongo songs, also called pontos, are sung in Portuguese but may include words of African origin.

The text above is adapted from the Wikipedia article “Jongo”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.

jongo is music genre and type of dance, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ¹

The source record links this tradition to 5 external registers, which can be verified through the citation. ¹