K-pop

The tradition & historical record

K-pop (Korean: 케이팝; RR: Keipap; an abbreviation of "Korean popular music") is a form of popular music originating in South Korea. The music genre that the term is used to refer to colloquially emerged in the 1990s as a form of youth subculture, with Korean musicians influenced by Western dance music, hip-hop, R&B and rock. Today, K-pop commonly refers to the musical output of teen idol acts, chiefly girl groups and boy bands, who emphasize visual appeal and performance. As a pop genre, K-pop is characterized by its melodic quality and cultural hybridity. K-pop can trace its origins to "rap dance", a fusion of hip-hop, techno and rock popularized by the group Seo Taiji and Boys, whose experimentation helped to modernize South Korea's contemporary music scene in the early 1990s. Their popularity with teenagers led the music industry to focus on this demographic. Lee Soo-man of SM Entertainment, who developed the Korean idol system in the late 1990s, created H.O.T. and S.E.S., the "first generation" of K-pop. By the early 2000s, TVXQ and BoA had achieved success in Japan and gained traction for the genre overseas. In the 2010s, the Korean Wave and social media drove the international popularity of K-pop. In 2019, South Korea ranked sixth among music markets, led by artists BTS and Blackpink. ¹

The term "K-pop" is the South Korean equivalent of the Japanese "J-pop." The first known use of the term occurred in Billboard in the October 9, 1999 edition at the end of an article titled "S. Korea To Allow Some Japanese Live Acts" by Cho Hyun-jin, then a South Korea correspondent for the magazine, which used it as a broad term for South Korean pop music. Cho himself, however, is not sure if he coined the term, since some articles stated that the word 'K-pop' was already being used by music industry insiders, even though he had never heard it personally. The term K-pop became popular in the 2000s, especially in an international context. In South Korea, domestic pop music is referred to as gayo (가요), which is still widely used within the country. In 2022, the Korean Music Awards established a separate genre-specific field for K-pop, defining its "distinct aesthetic tendencies" as dance-pop music originating from the Korean idol system with a focus on performance. In academic circles, the term has been retroactively applied to the popular music of Korea going back as far as the 1930s. ¹

Although K-pop generally refers to South Korean popular music and the associated industry, some consider it to be an all-encompassing genre exhibiting a wide spectrum of musical and visual elements. The French Institut national de l'audiovisuel defines K-pop as a "fusion of synthesized music, sharp dance routines and fashionable, colorful outfits." Songs typically consist of one or a mixture of pop, rock, hip hop, R&B, and electronic music genres. ¹

The mainstream method is to become an idol trainee through agency auditions, online auditions, or street casting. South Korean management agencies offer binding contracts to potential artists, sometimes at a young age. Trainees live together in a regulated environment and spend many hours a day learning how to sing, dance, speak foreign languages, and gain other skills in preparation for their debut. This "robotic" system of training is often criticized by Western media outlets. In 2012, The Wall Street Journal reported that the cost of training one Korean idol under SM Entertainment averaged US$3 million. ¹

K-pop is a cultural product that features "values, identity and meanings that go beyond their strictly commercial value." It is characterized by a mixture of modern Western sounds and African-American influences (including sounds from Hip-hop, R&B, Jazz, black pop, soul, funk, techno, disco, house, and Afrobeats) with a Korean aspect of performance (including synchronized dance moves, formation changes and the so-called "point choreography" consisting of hooking and repetitive key movements). It has been remarked that there is a "vision of modernization" inherent in Korean pop culture. For some, the transnational values of K-pop are responsible for its success. A commentator at the University of California, San Diego has said that "contemporary Korean pop culture is built on... transnational flows... taking place across, beyond, and outside national and institutional boundaries." Some examples of the transnational values inherent in K-pop that may appeal to those from different ethnic, national, and religious backgrounds include a dedication to high-quality output and presentation of idols, as well as their work ethic and polite social demeanor, made possible by the training period. ¹

Modern K-pop is marked by its use of English phrases. Jin Dal Yong of Popular Music and Society wrote that the usage may be influenced by "Korean-Americans and/or Koreans who studied in the U.S. take full advantage of their English fluency and cultural resources that are not found commonly among those who were raised and educated in Korea." Korean pop music from singers or groups who are Korean-American such as Fly to the Sky, g.o.d, Rich, Yoo Seung-jun, and Drunken Tiger has both American style and English lyrics. This type of music has a different style from common Korean music, which attracts the interest of young people. Increasingly, foreign songwriters and producers are employed to work on songs for K-pop idols, such as will.i.am and Sean Garrett. Foreign musicians, including rappers like Akon, Kanye West, Ludacris, and Snoop Dogg, have also featured on K-pop songs. Entertainment companies help to expand K-pop to other parts of the world through a number of different methods. Singers need to use English since the companies want to occupy markets in the other parts of Asia, which enables them to open the Western market. Most K-pop singers learn English because it is a common language in the world of music, but some singers also learn other foreign languages such as Japanese to approach the Japanese market. Similarly, K-pop bands increasingly use English names rather than Korean ones. This allows songs and artists to be marketed to a wider audience around the world. However, the use of English has not guaranteed the popularity of K-pop in the North American market. For some commentators, the reason for this is because the genre can be seen as a distilled version of Western music, making it difficult for K-pop to find acceptance in these markets. ¹

The text above is adapted from the Wikipedia article “K-pop”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

K-pop is popular music originating in South Korea, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 36 external registers, which can be verified through the citation. ²