Painting

kaika-e

Kaika-e (Japanese: 開化絵) is a genre of Japanese woodblock prints (ukiyo-e) during the Meiji period that celebrated the Westernization of Tokyo and its people.

3代歌川広重『東京名所之内 銀座通煉瓦造 鉄道馬車往復図』(1882年)
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The tradition & historical record

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Kaika-e (Japanese: 開化絵) is a genre of Japanese woodblock prints (ukiyo-e) during the Meiji period that celebrated the Westernization of Tokyo and its people. 1

Etymology

The term "kaika" comes from political slogan "bunmei-kaika", which means "civilization and enlightenment" in Japanese, and refers to the phenomenon of Westernization in Japan during the Meiji era (1868–1912), which led to major changes in institutions and customs. In 1868, the city of Edo was renamed Tokyo. Kaika-e prints became popular in 1870–1880, and celebrated Westernization of Tokyo and its people. Production of kaika-e prints was encouraged by the government through the Ministry of Education. 1

Themes

Monika Hinkel writes about three major themes of kaika-e: new architecture, changes in clothing and hair fashion, new modes of transport. Kaiko-e is continuation of traditional genre meisho-e (depictions of scenic views). Another ukiyo-e genre of that era is Yokohama-e, depictions of foreigners in the harbour city of Yokohama. 1

The text above is adapted from the Wikipedia article “Kaika-e”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

kaika-e is Japanese woodblock print genre, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2

The source record links this tradition to 1 external register, which can be verified through the citation. 2

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Sources on Record
[1]Wikipedia: Kaika-e · encyclopedia
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