Malay gamelan

Malay gamelan (Malay: gamelan Melayu), also known as Joget Gamelan, is a traditional court musical ensemble and dance tradition of the Malay world, particularly associated with the royal courts of Pahang and Terengganu in present-day Malaysia. It forms part of the wider gamelan family of maritime Southeast Asia but developed a distinct repertoire, performance practice and choreographic tradition within the cultural environment of the Malay courts. The tradition traces its origins to the court culture of the Johor–Riau and Riau–Lingga sultanates and was introduced to Pahang during the early nineteenth century through dynastic connections between Malay ruling houses. Under the patronage of the Pahang and later Terengganu courts, Malay gamelan evolved into a highly refined court art characterised by a relatively small ensemble of metallophones, gongs, drums and xylophones, accompanied by a repertoire of stylised dances collectively known as Joget Gamelan. Malay gamelan reached its greatest development during the reign of Sultan Sulaiman Badrul Alam Shah of Terengganu (1920–1942) and the patronage of Tengku Ampuan Mariam, under whom its repertoire, choreography and performance conventions were expanded and formalised.¶

The text above is adapted from the Wikipedia article “Malay gamelan”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

Malay gamelan is style of gamelan music, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 3 external registers, which can be verified through the citation.¹¶