The tradition & historical record
2 min read · 1 sourceMarfa is a form of celebratory rhythmic music and dance among the Hyderabadi Muslims in the Deccan region adapted from Afro-Arab music of Hadhramawt in Yemen. It is played at a high tempo using instruments such as marfa, daff, dhol, sticks, steel pots and wooden strips called thapi. The chorus effects and vocal meter are set according to beats. It was introduced during 18th century in Hyderabad State by the East African Siddi community, who used to serve as cavalry guards in Asaf Jahi Nizams' irregular army. The Asaf Jahi Nizams patronized marfa music and it was performed during official celebrations and ceremonies as they also claimed Arab ancestry from the first Caliph Abu Bakr Siddique through the Bayafandi Clan of Asir province in Arabia. It became popular in India, particularly in Hyderabad state. It was brought there by the diaspora of Siddis and Hadhramis. The associated marfa dance is typically performed with janbiya daggers and/or talwars (swords) and latts (canes), and it is likely to have been derived from the Bar'a (Arabic: برع) dance of Yemen.
The text above is adapted from the Wikipedia article “Marfa (music)”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.
marfa is form of celebratory rhythmic music and dance from Hyderabad, India, among the Hyderabadi Muslims, adapted from Afro-Arab music of Hadhramawt in Yemen played with high tempo using marfa daff, Dhol, sticks, steel pots and wooden strips called thapi, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 1
The source record links this tradition to 1 external register, which can be verified through the citation. 1