neo soul

The tradition & historical record

Neo soul (sometimes called progressive soul) is a genre of popular music. As a term, it was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe the style of music that emerged from soul and contemporary R&B. Evolving from soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with elements ranging from funk, jazz fusion, hip hop and rock. It has been noted by music writers for its conscious lyrics. Neo soul developed during the 1980s and early 1990s, by Black-Americans in the United States, as a soul revival movement. It earned mainstream success during the late 1990s, with the commercial and critical breakthroughs of several artists, including D'Angelo, Maxwell, Erykah Badu, and Lauryn Hill. Their music was marketed as an alternative to the producer-driven, digitally approached R&B of the time, although many of them were ambivalent about the term. Since its initial mainstream popularity and impact on the sound of contemporary R&B, neo soul has been expanded and diversified musically through the works of both American and international artists. Its mainstream presence declined during the 2000s, although newer artists emerged through more independent means of marketing their music. ¹

As a term, neo soul was coined by Kedar Massenburg of Motown Records in the late 1990s as a marketing category following the commercial breakthroughs of artists such as D'Angelo, Erykah Badu, Lauryn Hill, and Maxwell. The success of D'Angelo's 1995 debut album Brown Sugar has been regarded by several writers and music critics as the inspiration behind the term's origin. In a 2002 interview for Billboard, Massenburg said that genre classifications are often unpopular because they may be suggestive of a short-lived trend. However Massenburg felt there was a need to market artists of the genre for listeners to have an understanding of what they were listening to. In a 2010 article for PopMatters, music writer Tyler Lewis said that neo soul has been received with much controversy: "Given the way black music has been named by (usually) outsiders ever since the blues, the reaction to the name by artists who ostensibly fit into the 'neo-soul' category represents a wonderful example of black self-determination in an industry that is still defiantly wedded to narrow definitions and images of black folks." Jason Anderson of CBC News compares the etymology of neo soul to that of "new wave" and comments: "neo-soul is still an effective tag to describe the mix of chic modernity and time-honoured tradition that distinguished the genre's best examples. Neo-soul artists tried to look both backward and forward, acting in the belief that a continuum might exist." ¹

The term received widespread use by music critics and writers who wrote about artists and albums associated with the musical style. African American studies professor Mark Anthony Neal has described neo soul as "everything from avant-garde R&B to organic soul... a product of trying to develop something outside of the norm in R&B". According to music writers, the genre's works are mostly album-oriented and distinguished by its musicianship and production, incorporating "organic" elements of classic soul music with the use of live instrumentation, in contrast to the more single-oriented, hip hop-based, and producer-driven sampling approach of contemporary R&B. Neo soul also incorporates elements of electronic music, jazz fusion, funk, rap, gospel, rock, reggae, and African music. In her book Musical Rhythm in the Age of Digital Reproduction, music author Anne Danielsen wrote that neo soul toward the end of the 1990s exhibited a musical development that was part of "a remarkable increase in musicians' experimentation with and manipulation of grooves at the microrhythmic level – that is, the level in played music that is usually understood in terms of phrasing and timing." ¹

Noting that most of the genre's artists are singer-songwriters, writers have viewed their lyrical content as more "conscious-driven" and having a broader range than most other R&B artists. AllMusic calls it "roughly analogous to contemporary R&B." Dimitri Ehrlich of Vibe said that they "emphasize a mix of elegant, jazz-tinged R&B and subdued hip hop, with a highly idiosyncratic, deeply personal approach to love and politics". Music writers have noted that neo soul artists are predominantly female, which contrasts the marginalized presence of women in mainstream hip hop and R&B. ¹

Neo soul originated in the early 1990s, with the work of musical acts such as Tony! Toni! Toné!, Terence Trent D'Arby and Mint Condition, whose music deviated from the conventions of most contemporary R&B at the time. Tony! Toni! Toné!-member Raphael Saadiq later embarked on a solo career and produced various works of other neo soul artists. Some artists that further popularized this sound during the early 1990s included Zhané, Groove Theory, Joi, Tony Rich, and Me'Shell NdegéOcello. NdegéOcello's 1993 debut album Plantation Lullabies was later credited as the beginning of neo soul; according to Renee Graham of The Boston Globe, it was "arguably the first shot in the so-called 'neo-soul' movement". The success of Tony! Toni! Toné!'s 1993 album Sons of Soul was also viewed as a precursor to the soul music revival in the mid-1990s. Cheo Hodari Coker said in 1997 that the album "largely sparked the soul music revival that has opened the door for a new generation of singers who build on the tradition of Marvin Gaye and Stevie Wonder". Allmusic editor Leo Stanley wrote that by the release of Tony! Toni! Toné!'s follow-up album House of Music in 1996, "their influence was beginning to be apparent, as younger soul singer-songwriters like Tony Rich and Maxwell began reaching the R&B charts. Like Tony! Toni! Toné!, Rich and Maxwell relied on traditional soul and R&B values of songwriting and live performances, discarding the synth-heavy productions of the late '80s and early '90s". A few hip hop groups are cited as well. Malcolm Venable of Vibe highlights the early work of hip hop band The Roots, who used live instrumentation, as a precursor to neo soul's commercial breakthrough in the mid-1990s. ¹

In 1995, former corporate marketer turned artist manager Kedar Massenburg established the record label Kedar Entertainment Inc., through which he released the breakthrough neo soul recordings of artists such as Badu, D'Angelo, and Chico DeBarge. Music journalists have specifically credited the successes of D'Angelo's Brown Sugar (1995), Maxwell's Urban Hang Suite (1996), Badu's Baduizm (1997), and Hill's The Miseducation of Lauryn Hill (1998) with shaping and raising the neo soul movement to commercial visibility into the late 1990s. According to Farley, D'Angelo's album "gives a nod to the past,... mints his own sound, with golden humming keyboards and sensual vocals and unhurried melodies... ¹

In 2000, D'Angelo released his second al… ¹

The text above is adapted from the Wikipedia article “Neo soul”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

neo soul is music subgenre of soul music, back to the roots, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 11 external registers, which can be verified through the citation. ²