oratorio

An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In an oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon (Nixon in China), Anna Nicole Smith (Anna Nicole) and the Bible); the text of an oratorio often deals with sacred subjects, making it appropriate for performance in the church, which remains an important performance context for the genre. Catholic composers looked to the lives of saints and stories from the Bible.¶

The text above is adapted from the Wikipedia article “Oratorio”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

oratorio is large musical composition including an orchestra, a choir, and soloists, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 37 external registers, which can be verified through the citation.¹¶