Painting

Our Lady of the Rosary of Chiquinquirá

Virgen de ChiquinquiráVenezuela

Our Lady of the Holy Rosary of Chiquinquirá (Spanish: Nuestra Señora del Rosario de Chiquinquirá), or the Virgin of Chiquinquirá (Spanish: Virgen de Chiquinquirá), is a Marian title of the Blessed Virgin Mary associated with a venerated ima…

Our Lady of Chiquinquira
Photo: Alonso de Narváez · Public domain+ Add licensed photo →

The tradition & historical record

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Our Lady of the Holy Rosary of Chiquinquirá (Spanish: Nuestra Señora del Rosario de Chiquinquirá), or the Virgin of Chiquinquirá (Spanish: Virgen de Chiquinquirá), is a Marian title of the Blessed Virgin Mary associated with a venerated image in the northern Andes region and is the patroness saint of Colombia. The first and original painting was made by the Spaniard Alonso de Narváe on cotton support in 1562. Pope Pius X on 9 January 1910 authorised the Canonical Coronation of the image but was not carried out until 9 July 1919 due to the political turmoil prevalent at the time. Pope Pius XI raised her sanctuary to the status of minor basilica via the Pontifical decree Exstat in Colombia on 18 August 1927. Pope John Paul II visited the sanctuary on 3 July 1986. In August 2020, the Government of Colombia was approved to donate a Marian image of the same namesake in the Vatican Gardens at the 18th slot. 1

Colombia

Pursuant to a commission received from Antonio de Santana, who had received in 1560 an encomienda of the Indians of Suta, a Spanish painter named Alonso de Narváez painted a portrait of the Virgin of the Rosary on a homespun piece of cotton woven by the Indians. Painting in tempera, he used mineral pigments from the soil and organic juices from local herbs and flowers. In 1562, the portrait was placed in a chapel with a roof that leaked, and in time the humidity, air, and sun had damaged the painting, leaving the subject unrecognisable. In 1577, the worn painting was moved to Chiquinquirá and left abandoned in a room that had formerly been a family oratory. Eight years later, María Ramos, a pious Spaniard from Seville, refurbished the modest chapel and enshrined the faded painting in it. Tradition has it that the miraculous restoration of the painting occurred on Friday, 26 December 1586: scratches and holes in the cotton were gradually sealed, with light and colour overlaying them. The image stood out again, having recovered its vivacity and brightness. The Virgin of the Rosary in the center of the painting is approximately three feet high. She looks towards her left as if to call attention to the nearly naked Christ Child in her arms. She has a calm countenance with a delicate smile. Both her face and the Child's are pale. The Child has a small, brightly coloured bird tied to his thumb, and a rosary hangs from his left hand. A white veil covers her hair, and her rose-tinted robe is covered by a sky-blue cape. The Virgin stands on a crescent moon, suggesting she is the Woman of the Apocalypse. With the little finger of her left hand, she holds a rosary which hangs in front of her, and in her right hand is a scepter. 1

Story of the prodigy

Legend has it that the government decided the image belonged in the capital city, Caracas, so they ordered it moved. As soldiers were to take the image away, it grew heavier and heavier until no man could lift it. The soldiers promptly returned it to the Basilica, where it has remained since. 1

Wooden tablet, crown, and square

The tablet depicting the image of the Virgin Mary was first taken to a small sanctuary built to honor San Juan de Dios and later, under the rule of the governor Francisco de la Roche Ferrer, a bigger chapel was erected to venerate the newly found image of the Virgin of Chiquinquirá. The tablet remained there until the final stage of the Basilica, the basilica was completed in 1858. The tablet is relatively small. The dimensions are: 26 centimeters wide by 25 centimeters long and 3 millimeters deep. The Virgin Mary holds the baby Jesus in her left arm. To her left is the Apostle Saint Andrew holding an open book, and to her right Saint Anthony holding a lily (a symbol of chastity) in his right hand. The tablet was restored and preserved, and embellished with 18-carat gold engraving to magnify its beauty. The crown suspended above the tablet weighs 10 kilograms and it was made of 18-carat gold, donated by the public. Its inner arch measures 27 centimeters by 44 centimeters and a number of precious stones were embedded. It is one of the most highly prized relics in all of Zulia. By the time the crown was made it cost around 250 thousand bolívars. 1

In the year 2004, the local government inaugurated the "Square of Our Lady of the Rosary of Chiquinquirá", an open sanctuary reminiscent of the old times. The great monument of the Virgin of Chiquinquirá is located exactly where the washer woman's house once was. The total area of the square is 30,000 square meters (320,000 sq ft) whose epicenter is a 15-meter-high allegorical statue of the Virgin Mary. There are also three mirror-like fountains as well as a smaller square devoted to Saint Sebastian, the patron saint of Maracaibo. Other cultural activities are held during the fair. 1

Pontifical approbations

Pope Pius VII declared her Patroness of Colombia in 1829, with a proper liturgical feast. Pope Pius X granted the image a decree of Canonical coronation on 9 January 1910. The rite of coronation was executed on 9 July 1919 due to delayed preparations and political climate in the country. Pope Pius XI raised her sanctuary to the status of minor basilica via the Pontifical decree Exstat in Colombia on 18 August 1927. Pope John Paul II visited and prayed at her shrine on 3 July 1986. The feast day of Our Lady of the Rosary of Chiquinquira, Patroness of Colombia is July 9, her actual day of coronation. 1

Veneration

In March 2008, the Colombian daily El Tiempo reported that a crisis that could have ended in an open conflict between Colombia, Ecuador and Venezuela was averted by Colombian President Alvaro Uribe confiding the situation to the intercession of Mary under the three different titles by which she is the countries’ patroness. The crisis started on March 1, when Uribe ordered a military raid into Ecuador's territory, against a rebel camp used by Marxist guerrillas to launch terrorist strikes. In response, Ecuador's President Rafael Correa cut all diplomatic relationships with Colombia. Venezuela's Hugo Chávez, Correa's political ally, ordered a massive military surge to the Colombian border as well. Quoting Fr. Julio Solórzano, Chaplain of Colombia's Presidential Palace, El Tiempo revealed that on March 5, with tensions increasing, President Uribe called for a Rosary to pray for the end of tensions. The Rosary, prayed at the Presidential Palace's chapel, was dedicated, upon Uribe's request, to Our Lady of Chiquinquira, Our Lady of Coromoto, and Our Lady of Mercy, respectively the patronesses of Colombia, Venezuela, and Ecuador. Uribe invited all officials at the Presidential palace to the Rosary, as well as the minister of Defense and the Interior. "For believers – El Tiempo wrote – the prayer was more than effective, since only two days later the presidents of the three countries shook hands, during the Group of Rio summit." On April 7, at the Dominican Republic summit, the three presidents vented their differences, but agreed to stand down after Colombia apologized for the raid. 1

The text above is adapted from the Wikipedia article “Our Lady of the Rosary of Chiquinquirá”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

Our Lady of the Rosary of Chiquinquirá is Patroness of Colombia, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2

The source record links this tradition to 4 external registers, which can be verified through the citation. 2

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