pop-punk

Pop-punk (also punk pop, and alternatively spelled without the hyphen) is a rock music genre that combines elements of punk rock and pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes considered interchangeable with power pop and skate punk. The genre's roots are found during the late 1970s with groups such as the Ramones, the Undertones, and Buzzcocks setting its initial groundwork. 1980s punk bands like Bad Religion, Descendents and the Misfits, while not necessarily pop-punk in and of themselves, were influential to pop-punk, and it expanded in the late 1980s and early 1990s by a host of bands signed to Lookout! Records, including Screeching Weasel, the Queers, and the Mr. T Experience, becoming a foundational stage.¶

Definition and characteristics

Pop-punk is variously described as a punk subgenre, a variation of punk, a form of pop music, and a genre antithetical to punk in a similar manner as post-punk. It has evolved stylistically throughout its history, absorbing elements from new wave, college rock, ska, rap, emo, and boy bands. Some variations of pop-punk are noted for their faithfulness to traditional punk rock, employing a "raw, gritty, screamy, and not necessarily radio-friendly" sound. Other variants are more polished and suitable for mainstream radio. Writers at The A.V. Club described pop-punk as a punk subgenre that has "essentially been around as long as punk itself" with roots in the "classic pop of the Beatles, the Kinks, and the Beach Boys, often pitting sweet harmonies against bratty, rowdy riffs." According to Ryan Cooper of About.com, "pop-punk is a style that owes more to The Beatles and '60s pop than other sub-genres of punk". There is considerable overlap between power pop and pop-punk, and the two styles are often conflated. Web publication Revolver acknowledged that, while pop-punk and power pop are often presented interchangeably, "the core concept is simple—melodic songs packaged with a punk slant." In Brian Cogan's The Encyclopedia of Punk Music and Culture (2006) pop-punk is characterized as "a catchy, faster version of power pop." AllMusic defines "punk-pop" as "a post-grunge strand of alternative rock" that combines the textures and fast tempos of punk rock with the "melodies and chord changes" of power pop. In the 1990s, there was overlap between pop-punk and skate punk.¶

Origins (1970s–1980s)

The term pop punk was first used by John Rockwell in a New York Times March 1977 article to describe Tom Petty and the Heartbreakers. Punk rock has long shared sensibilities with pop music, especially since the late 1970s. In his book Rock and Roll: A Social History (2018), author Paul Friedlander lists the following English artists as representative of the "new wave of pop punk synthesis" that occurred in the late 1970s: Elvis Costello and the Attractions, the Police, the Jam, Billy Idol, Joe Jackson, the Pretenders, UB40, Madness, the Specials, and the English Beat. Likewise, among American acts, Friedlander references Talking Heads, Blondie, the B-52s, the Motels, and Pere Ubu.¶

Heller said that the Ramones crafted a blueprint for pop-punk with their 1976 debut album, but 1978 was the year that the genre "came into its own". He noted that some bands "were unmistakably pop punk bands by today's definition of the term, but in 1978, the distinction wasn't so clear. Plenty of punk groups of the era threw a token pop tune or two into their set—sometimes for ironic effect, other times earnestly." Heller also acknowledged that many "burgeoning pop punk groups in 1978 bordered on power pop, a parallel genre on the rise at the time. But power pop began earlier, and it was a more American phenomenon". Among the influential pop-punk bands of the late 1970s were the Buzzcocks. An LA Weekly writer later referred to the band's 1979 compilation album Singles Going Steady as "the blueprint for punk rock bands preferring tuneful tales of lost love and longing to rage against the machine." Cooper similarly cited the album as one of punk's most influential and added that Buzzcocks' "pop overtones [led] them to be a primary influence on today's pop punk bands.".¶

Underground expansion (late 1980s and early 1990s)

During the late 1980s and early 1990s, pop-punk bands such as Green Day, the Queers, the Mr. T Experience and Screeching Weasel emerged from the record label Lookout! Records with a sound indebted to Buzzcocks, the Ramones, and the Undertones. In August 1992, early 1990s California punk rock and pop-punk was noticed by the magazine Spin when the magazine published a story called "California Screamin'", which is about the early 1990s underground punk rock scene in California, mentioning pop-punk bands like Screeching Weasel and Green Day. Screeching Weasel's 1991 album My Brain Hurts influenced many subsequent pop-punk bands, with bands like Blink-182, Allister and Alkaline Trio citing them as an influence. Social Distortion, known for playing genres like traditional punk and cowpunk, achieved moderate success starting in the early 1990s prior to the 1994 mainstream explosion of pop punk. The band's self-titled album (1990) and Somewhere Between Heaven and Hell (1992) both eventually were certified gold in the United States.¶

1994–1997: Mainstream breakthrough

In the wake of Nirvana and grunge breaking through in the early 1990s, California's Green Day and Bad Religion were both signed to major labels in 1993, and by 1994, pop-punk was quickly growing in mainstream popularity, soon before grunge's popularity began to decline. Many punk rock and pop-punk bands originated from the California punk scene of the late 1980s, and several of those bands, especially Green Day and the Offspring, helped revive interest in punk rock in the 1990s. Green Day arose from the 924 Gilman Street punk scene in Berkeley, California. After building an underground following, the band signed to Reprise Records and released their major-label debut album, Dookie, in 1994. Dookie sold four million copies by the year's end and spawned several radio singles that received extensive MTV rotation, three of which peaked at number one on the Modern Rock Tracks chart. Green Day's enormous commercial success paved the way for other North American pop-punk bands in the following decade. In 1999, Dookie was certified diamond by the Recording Industry Association of America (RIAA). The Offspring also achieved mainstream success in 1994 with their album Smash being certified 6× platinum by the RIAA. MTV and radio stations such as Los Angeles' KROQ-FM played a major role in the genre's mainstream success. The Warped Tour, started in 1995, brought punk even further into the United States mainstream.¶

1997–2004: Second mainstream wave

In 1997, Blink-182 released their…¶

The text above is adapted from the Wikipedia article “Pop-punk”, available under the Creative Commons Attribution-ShareAlike 4.0 licence.¶

pop-punk is rock music fusion genre that combines elements of punk rock with power pop or pop, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition.¹¶

The source record links this tradition to 12 external registers, which can be verified through the citation.¹¶