rock and roll

The tradition & historical record

Rock and roll is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. The origins of rock and roll are rooted in a blending of African-American musical genres, mainly rhythm and blues, with stylistic influences from gospel, jazz, boogie-woogie, electric blues, jump blues, swing, and folk music. While rock and roll's early elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll". For the purposes of differentiation, this article deals with the first definition. In the earliest rock and roll styles, either the piano or saxophone was typically the lead instrument. These instruments were generally replaced or supplemented by the electric guitar in the mid-to-late 1950s. The beat is essentially a dance rhythm with an accentuated backbeat, almost always provided by a snare drum. Minimal blues chord progressions such as the twelve-bar blues are commonly used. Classic rock and roll is usually played with one or more electric guitars (one lead, one rhythm) and a double bass (string bass). ¹

The term "rock and roll" is defined by Greg Kot in Encyclopædia Britannica as the music that originated in the mid-1950s and later developed "into the more encompassing international style known as rock music". The term is sometimes also used as synonymous with "rock music" and is defined as such in some dictionaries. The words rock and roll had become associated in the late eighteenth century, when "Rock and Roll" brimstone (i.e. sulfur) was advertised; rock brimstone being the naturally-occurring form and roll brimstone being in the form of sticks or blocks, made by allowing liquid sulfur to solidify in (esp. cylindrical) moulds. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but by the early 20th century was used both to describe the spiritual fervor of black church rituals and as a sexual analogy. A retired Welsh seaman named William Fender can be heard singing the phrase "rock and roll" when describing a sexual encounter in his performance of the traditional song "The Baffled Knight" to the folklorist James Madison Carpenter in the early 1930s, which he would have learned at sea in the 1800s; the recording can be heard on the Vaughan Williams Memorial Library website. Various gospel, blues and swing recordings used the phrase before it became widely popular. "Bosom of Abraham", an African-American spiritual that was documented no later than 1867 (just after the Civil War), uses the phrase "rock my soul" frequently in a religious sense; this song was later recorded by musicians from various genres, including various gospel musicians and groups (including The Jordanaires), Louis Armstrong (jazz/swing), Lonnie Donegan (skiffle), and Elvis Presley (rock and roll/pop/country). ¹

While the history has been subject to debate, modern scholarship increasingly centers the genre as a direct descendant of the black experience in the American South and the urban centers of the North. At its core, rock and roll is the electrification and acceleration of African-American musical traditions. While European instrumentation provided the physical tools; the rhythm, structure, and soul of the genre were forged in the black community. The migration of many former slaves and their descendants to major urban centers such as St. Louis, Memphis, New York City, Detroit, Chicago, Cleveland, and Buffalo meant that black and white residents were living in close proximity in larger numbers than ever before. Radio stations that made white and black forms of music available to both groups, the development and spread of the gramophone record, and African-American musical styles such as jazz and swing which were taken up by white musicians, aided this process of "cultural collision". The immediate roots of rock and roll lay in the rhythm and blues, then called "race music", in combination with either boogie-woogie and shouting gospel or with country music of the 1940s and 1950s. Particularly significant influences were jazz, blues, gospel, country, and folk. Commentators differ in their views of which of these forms were most important and the degree to which the new music was a re-branding of African-American rhythm and blues for a white market, or a new hybrid of black and white forms. ¹

In the 1930s, jazz, and particularly swing, both in urban-based dance bands and blues-influenced country swing were among the first music to present African-American sounds for a predominantly white audience. ¹

Rock and roll was strongly influenced by R&B, according to many sources, including an article in The Wall Street Journal in 1985, titled, "Rock! It's Still Rhythm and Blues". In fact, the author stated that the "two terms were used interchangeably", until about 1957. The other sources quoted in the article said that rock and roll combined R&B with pop and country music. Fats Domino was one of the biggest stars of rock and roll in the early 1950s and he was not convinced that this was a new genre. In 1957, he said: "What they call rock 'n' roll now is rhythm and blues. I've been playing it for 15 years in New Orleans". According to Rolling Stone, "this is a valid statement... all Fifties rockers, black and white, country born and city-bred, were fundamentally influenced by R&B, the black popular music of the late Forties and early Fifties". Further, Little Richard built his ground-breaking sound of the same era with an uptempo blend of boogie-woogie, New Orleans rhythm and blues, and the soul and fervor of gospel music vocalization. Less frequently cited as an influencer, LaVern Baker was inducted into the Rock and Roll Hall of Fame in 1991. The Hall remarked that her "fiery fusion of blues, jazz and R&B showcased her alluring vocals and set the stage for the rock and roll surge of the Fifties". ¹

"Rockabilly" usually (but not exclusively) refers to the type of rock and roll music which was played and recorded in the mid-1950s primarily by white singers such as Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis, who drew mainly on the country roots of the music. Presley was greatly influenced by and incorporated his style of music with that of some of the greatest Black musicians like BB King, Arthur Crudup and Fats Domino. His style of music combined with black influences created controversy during a turbulent time in history. ¹

Many of the earliest white rock and roll hits were covers or partial re-writes of earlier black rhythm and blues or blues songs. ¹

The text above is adapted from the Wikipedia article “Rock and roll”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ¹

rock and roll is genre of popular music, early subgenre of rock music, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ²

The source record links this tradition to 38 external registers, which can be verified through the citation. ²