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Siyah mashq

Siyah mashq (Persian: سیاه مشق), lit. "black practice," are calligraphic practice sheets often covered completely with writing.

This calligraphic fragment includes several verses from Nizami's (d. 614/1218) "Divan" (Compendium of Poems). Script: nasta'liq. The composition, which recalls a number of Safavid calligraphic exercises (siyah mashq) in its formal make-up and calligraphic style, must have been…
Photo: Calligrapher: Abu al-Ma'ali ( Abu al-Ma'ali 'Izz al-Din 'Abd al-Wahhab Zanjani (d. 606/1292), a disciple of Yaqut al-Musta'simi (Huart 1972, 82)) - Poet :Nizami (d. 614 H./1218 AD) · Public domain+ Add licensed photo →

The tradition & historical record

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Siyah mashq (Persian: سیاه مشق), lit. "black practice," are calligraphic practice sheets often covered completely with writing. They may include a number of diagonal words and letters used in combinations facing upwards and downwards on the folio. Siyah mashq was originally just a practice for the calligrapher to warm up his hand and to refine the shape of letters by repeating them over and over. These practices resulted in a page filled with words and letters. When calligraphers realised how stunning some of these pieces were, it was turned into a style of its own. Words and letters are repeated regardless of meaning, all for the sake of composition and style. As an established genre, siyah mashq practice sheets abide by certain rules of formal compositions, largely guided by rhythm and repetition. Although siyah mashq sheets survive from ca. 1600, they seem to have been a particularly popular genre during the second half of the 19th century, i.e., during the artistic revival spearheaded by the Qajar ruler Nasir al-Din Shah, who reigned from 1848 to 1896. 1

The text above is adapted from the Wikipedia article “Siyah mashq”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

Siyah mashq is Calligraphic practice sheets (unique to Persianate calligraphic tradition), according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2

The source record links this tradition to 1 external register, which can be verified through the citation. 2

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Sources on Record
[1]Wikipedia: Siyah mashq · encyclopedia
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