Music

The John B. Sails

The Bahamas

"Sloop John B" (Roud 15634, originally published as "The John B. Sails") is a Bahamian folk song from Nassau.

Nassau Harbor label QS:Lfr,"Port de Nassau" label QS:Len,"Nassau Harbor"
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The tradition & historical record

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"Sloop John B" (Roud 15634, originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription was published in 1916 by Richard Le Gallienne, and Carl Sandburg included a version in his The American Songbag in 1927. There have been many recordings of the song since the early 1950s, with variant titles including "I Want to Go Home" and "Wreck of the John B". In 1966, American band the Beach Boys recorded a folk rock adaptation that was produced and arranged by Brian Wilson and released as the second single from their album Pet Sounds. The record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits. In 2011, the Beach Boys' version of "Sloop John B" was ranked number 276 on Rolling Stone's list of "The 500 Greatest Songs of All Time". 1

Earliest publications

"The John B. Sails" was transcribed by Richard Le Gallienne, with five verses and the chorus published in his article "Coral Islands and Mangrove-Trees" in the December 1916 issue of Harper’s Monthly Magazine. Gallienne published the first two verses and chorus in his 1917 novel Pieces of Eight. The lyrics describe a disastrous voyage on a sloop, with the vessel plagued by drunkenness and arrests and a pig eating the narrator's food. Carl Sandburg included the first three verses and chorus of "The John B. Sails" in his 1927 collection The American Songbag. He states that he collected it from John T. McCutcheon, a political cartoonist from Chicago. McCutcheon told him: 1

Time and usage have given this song almost the dignity of a national anthem around Nassau. The weathered ribs of the historic craft lie imbedded in the sand at Governor's Harbor, whence an expedition, especially sent up for the purpose in 1926, extracted a knee of horseflesh and a ring-bolt. These relics are now preserved and built into the Watch Tower, designed by Mr. Howard Shaw and built on our southern coast a couple of points east by north of the star Canopus. 1

Arrangement

The Kingston Trio's 1958 recording of "The John B. Sails" was recorded under the title "The Wreck of the John B." It was the direct influence on the Beach Boys' version. The Beach Boys' Al Jardine was a keen folk music fan, and he suggested to Brian Wilson that the Beach Boys should record the song. As Jardine explains: 1

Brian was at the piano. I asked him if I could sit down and show him something. I laid out the chord pattern for 'Sloop John B.' I said, 'Remember this song?' I played it. He said, 'I'm not a big fan of the Kingston Trio.' He wasn't into folk music. But I didn't give up on the idea. So what I did was to sit down and play it for him in the Beach Boys idiom. I figured if I gave it to him in the right light, he might end up believing in it. So I modified the chord changes so it would be a little more interesting. The original song is basically a three-chord song, and I knew that wouldn't fly. Jardine updated the chord progression by having the subdominant (D♭ major) move to its relative minor (B♭ minor) before returning to the tonic (A♭ major), thus altering a portion of the song's progression from IV — I to IV — ii — I. This device is heard immediately after the lyric "into a fight" and "leave me alone". 1

So I put some minor changes in there, and it stretched out the possibilities from a vocal point of view. Anyway, I played it, walked away from the piano and we went back to work. The very next day, I got a phone call to come down to the studio. Brian played the song for me, and I was blown away. 1

Recording

The instrumental section of the song was recorded on July 12, 1965, at United Western Recorders, Hollywood, California. It was the first song recorded for Pet Sounds. The session was engineered by Chuck Britz and produced by Brian Wilson. The master take of the instrumental backing took fourteen takes to achieve. Wilson's arrangement blended rock and marching band instrumentation with the use of flutes, glockenspiel, bass saxophone, bass, guitar, and drums. The vocal tracks were recorded over two sessions. The first was recorded on December 22, 1965, at Western Recorders and produced by Wilson. The second, on December 29, added a new lead vocal and Billy Strange's 12-string electric guitar part. Jardine explained that Wilson "lined us up one at a time to try out for the lead vocal. I had naturally assumed I would sing the lead, since I had brought in the arrangement. It was like interviewing for a job. Pretty funny. He didn't like any of us. My vocal had a much more mellow approach because I was bringing it from the folk idiom. For the radio, we needed a more rock approach. Wilson and Mike [Love] ended up singing it." On the final recording, Brian Wilson sang the first and third verses and Mike Love sang the second. Kent Hartman, in his book The Wrecking Crew, described Strange's contribution to the song. Brian Wilson called Strange into the studio one Sunday, played him the rough recording, and told him he needed an electric twelve-string guitar solo in the middle of the track. When Strange replied that he did not own a twelve string, Wilson responded by calling Glenn Wallichs, the head of Capitol Records and owner of Wallichs Music City. 1

Single release

A music video for "Sloop John B" was filmed for the UK's Top of the Pops, directed by newly employed band publicist Derek Taylor. It was filmed at Brian's Laurel Way home with Dennis Wilson acting as cameraman. The single, backed with the song "You're So Good to Me", was released on March 21, 1966 in the US and on April 15, 1966 in the UK. It entered the Billboard Hot 100 chart on April 2 and peaked at No. 3 on May 7, remaining on the chart for a total of 11 weeks. It charted highly throughout the world, and remained one of the Beach Boys' most popular and memorable hits. It was No. 1 in Germany, Austria, and Norway, all for five weeks each, as well as Sweden, Switzerland, the Netherlands, South Africa, and New Zealand. It was placed No. 2 in the UK, Ireland (where it remained the group's highest-charting single), Canada, and in Record World. It was the fastest Beach Boys seller to date, moving more than half a million copies in less than two weeks after release. It had a three-week stay at number 1 in the Netherlands, making it the "Hit of the Year". Cash Box described the single as a "topflight adaptation" that treated "the folk oldie in a rhythmic, effectively-building warm-hearted rousing style." Record World said that "The Beach Boys have taken a tune from the folk books and given it an intriguing rock backing." 1

Other releases

In 1968, the recording's instrumental was released on Stack-O-Tracks. Along with sessions highlights, the box set The Pet Sounds Sessions includes two alternative takes, one with Carl Wilson singing lead on the first verse, and one with Brian singing all parts. 1

The text above is adapted from the Wikipedia article “Sloop John B”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. 1

The John B. Sails is Bahamian folk song, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. 2

The source record links this tradition to 3 external registers, which can be verified through the citation. 2

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[1]Wikipedia: Sloop John B · encyclopedia
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