reggae

Reggae ( ) is a music genre that originated in Jamaica in the late 1960s. The term also refers to the modern popular music of Jamaica and its diaspora. The 1968 single by Toots and the Maytals titled "Do the Reggay" was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. ²

Reggae developed from earlier Jamaican genres including mento, ska, and rocksteady, and is rooted in traditional drumming styles such as Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru. It incorporates elements of rhythm and blues, jazz, mento (a rural folk form that served as dance music and an alternative to church singing, which was conflated with calypso by the 1950s), and traditional African folk rhythms. ²

Reggae is distinguished by a slower tempo than ska or rocksteady, a strong emphasis on the downbeat in the drum and bass, and short, staccato guitar or piano chords on the offbeat. The bass guitar plays a central role, with a thick, heavy tone and the high frequencies reduced to accentuate the low end. Call-and-response patterns are common, and the rhythm section often uses the bass as a percussion instrument, a feature carried over from rocksteady. Notable rhythm players include Jackie Jackson, Carlton Barrett, Lloyd Brevett, Paul Douglas, Lloyd Knibb, Winston Grennan, Sly Dunbar, and Anthony "Benbow" Creary. Vocals are often delivered in Jamaican Patois, Jamaican English, or Iyaric. Lyrical themes range from political and social commentary to religion, love, and leisure activities. ²

Reggae is closely associated with Rastafari, an Afrocentric religion that emerged in Jamaica in the 1930s promoting pan-Africanism. From the 1970s onwards, its international success helped to spread Rastafarian beliefs, with musicians often seen as cultural messengers and agents of change. ²

Reggae has reached audiences worldwide, often fusing with other genres and incorporating local instruments. In Latin America, reggae en Español originated in Panama before spreading to Venezuela and across South America. In the United Kingdom, Caribbean music, including reggae, has been popular since the late 1960s, spawning several subgenres and fusions, with many reggae artists beginning their careers there. European musicians have also drawn heavily on Jamaican and Caribbean traditions. In Africa, the genre's profile was boosted by the visit of Bob Marley to Zimbabwe in 1980. ²

The 1967 edition of the Dictionary of Jamaican English lists reggae as "a recently estab. sp. for rege", as in rege-rege, a word that can mean either "rags, ragged clothing" or "a quarrel, a row". Reggae as a musical term first appeared in print with the 1968 rocksteady hit "Do the Reggay" by the Maytals which named the genre. Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae (loose woman) into reggae. However, Toots Hibbert said: ²

There's a word we used to use in Jamaica called "streggae". If a girl is walking and the guys look at her and say "Man, she's streggae" it means she don't dress well, she look raggedy. The girls would say that about the men too. This one morning me and my two friends were playing and I said, "OK man, let's do the reggay." It was just something that came out of my mouth. So we just start singing "Do the reggay, do the reggay" and created a beat. People tell me later that we had given the sound its name. Before that people had called it blue-beat and all kind of other things. Now it's in the Guinness World of Records. Bob Marley said that the word reggae came from a Spanish term for "the king's music". The liner notes of To the King, a compilation of Christian gospel reggae, suggest that the word reggae was derived from the Latin regi meaning 'to the king'. ²

The text above is adapted from the Wikipedia article “Reggae”, available under the Creative Commons Attribution-ShareAlike 4.0 licence. ²

reggae is music genre that originated in Jamaica in the late 1960s, according to the structured record cited below. This entry was generated automatically from that record and has not yet been reviewed by a person familiar with the tradition. ¹

The source record links this tradition to 59 external registers, which can be verified through the citation. ¹